Archive for the ‘Actors’ Category

Mind Out! Mental Health and Theatre Event

Thursday, May 4th, 2017

Thursday 18 May, 6.30pm
The Actors’ Church, Covent Garden

BAPAM’s Deborah Charnock will join the panel at this year’s Theatre Chaplaincy UK (TCUK) Spring Lecture, addressing mental health in the theatre. Stephen Fry will be giving a keynote speech entitled Mind Out! This occasion is part of a growing movement to break the taboo and stigma that still surrounds issues of mental health in the theatre. Stephen will then join in the panel discussion followed by Q&A, with panellists Dr Deborah Charnock, Chief Executive of BAPAM and lead advisor on the ArtsMinds website; Annemarie Lewis Thomas, Principal of the Musical Theatre Academy, who launched the #time4change Mental Health Charter for the Arts; and the Rt Revd Geoff Annas, Bishop of Stafford, a TCUK trustee with 30 years’ first-hand experience as a theatre chaplain. The lecture is free and open to all. Afterwards there will be refreshments and the opportunity to mingle and talk further.

Spotlight Open House

Thursday, March 23rd, 2017

Spotlight Open House, kicking off on Monday 3rd April, is a jam-packed week of workshops, Q&As and one-to-ones led by top industry professionals working across all areas of film, television and theatre.

BAPAM Registered counseling psychologists, Dr Carol Chapman and Jane Oakland will be taking part in the events, offering free 30-minute one-on-one sessions, a completely confidential opportunity for actors to discuss any challenges that they’re currently facing for which they may require support. All of these sessions are already fully booked.

Many people in the performing arts will experience challenges with their mental health at some point in their lives. In response, Spotlight, Equity, The Stage and BAPAM developed ArtsMinds to offer support for people who need it most and encourage people in the performing arts to talk more about the importance of getting support.

At BAPAM, we also offer free in-depth clinical advice for anyone working professionally or studying in the performing arts, and list specialist practitioners on our Directory of practitioners.

Many events throughout the week will be livestreamed and you can also follow updates on Twitter using the hashtag #SpotlightOpenHouse.

 

Collaborative Working : BVA Study Day

Monday, December 1st, 2014

Collaborative Working - flyer

 

Sunday, 25th January, 2015. Baden Powell House, Queen’s Gate, London. SW7 5JS

This study day, organised by the British Voice Association, looks at the value of collaborative working between professions. It is suitable for all those working in the field of voice.

Working Psychologically with Voice (10am – 1pm)
Peter Butcher B.A.(Hons), M.Psychol: Clinical Psychologist – Specialist in CBT
Annie Elias, MRCSLT: Speech and Language Therapist – Specialist in Voice

This session explores the value of collaborative working between clinical psychology and speech and language therapy in helping to understand and free the voice from underlying psychological stresses. The session will include:

  • Cognitive Behaviour Therapy – a brief summary
  • Psychogenic Voice Disorder – what it means
  • The value of CBT in Voice Therapy
  • A model for joint working
  • Practical tips, case study and role play illustration of using CBT to help treat voice disorders, including with singers.

Whose Body Is It Anyway?

Sally Burgess, ARCM, FRCM, Mezzo, Teacher, Mentor, Director.
Fiona Bryan GGSM.Dip RAM.MSTAT, Musician, Alexander Teacher, Arranger, Artist

Sally Burgess (Singing Teacher) and Fiona Bryan (Alexander Teacher) began working together by chance 4 years ago. Although from very different backgrounds they discovered a common interest underpinning their teaching techniques – the importance and potential of mind-body awareness.

They decided to explore this more deeply via a series of workshops for singers combining their respective areas of expertise and were subsequently asked by “Live Music Now” to work with groups of wind and string players.

They are delighted to have this opportunity to share their experiences with you. They will describe in detail their collaborative teaching methods and put them into action with the aid of some (brave) singing volunteers.

Adobe Acrobat - icon Download a provisional Programme

Adobe Acrobat - icon Download a Flyer

Adobe Acrobat - icon Download an Application form

Study Days from the British Voice Association

Wednesday, February 19th, 2014

Forthcoming symposia from the British Voice Association, include My Tongue Goes Where? at the Royal Conservatoire of Scotland, Glasgow, a chance to hear Dr Ron Morris, (Speech and Language Therapist and Professional Countertenor), explore the anatomy and physiology of the articulators, how tongue tension and articulatory disorders can impact on speech and singing and practical techniques to deal with these difficulties. Saturday, 29th March 2014.

Recovering Voices: The Transition from ‘injured’ to ‘well’, on July 6th, addresses what is meant by vocal injury, and how this affects professional voice users physically, professionally and emotionally.

Further information and booking

And don’t forget World Voice Day, celebrated annually on 16th April. The idea began in Brazil and then spread to the USA. The idea is to celebrate healthy voices and highlight the importance of voice at work and in society. Find out more about World Voice Day.

 

Event Report: Performers in their Environment Training Day

Thursday, November 28th, 2013

Our November 2013 event brought together actors and musicians with professionals working in performing arts healthcare, education and support and welfare, for a stimulating investigation into the work, lifestyle and health realities of the industry.

Professor of Performance Science, Aaron Williamon, discussed musicians’ hearing and the tricky issue of noise regulations for workers for whom noise is their product.

Philip Turner, Senior Stage Manager of the English National Opera, shared valuable expertise and insights into the considerations of caring for performers, crew, and audience, and in supervising the work environment, both at the ENO in London, and on touring productions. Osteopath, Jennie Morton, presented on workplace hazards, drawing from her work as a performer (dance/theatre/singing).

Former professional oboist turned pioneering Performance Coach, Karen O’Connor, was joined by a singer and a double bassist to discuss novel applications of sport psychology for managing performance anxiety and developing mental toughness.

We also heard from professional performers about the ups and downs of their careers. Jungle Drummer, Chris Polglase, talked us through his career, from leaving music school in frustration at course requirements that he learn endless indie rock parts, to turning a hobby into a sustained professional career playing 180bpm drum & bass beats, alongside turntablists and musicians from a diverse spectrum of styles. Chris talked about the pressures of extensive touring, playing 5am gigs at clubs and festivals, studio sessions, and gradually learning self confidence and how to care for yourself.

Bringing a fascinating day to a close, David Sulkin, Chief Executive of the Musicians Benevolent Fund, interviewed two actors at very different stages of their careers – covering the stresses (physical, emotional and financial) and rewards of the profession.

We’d like to thank all the speakers, performers and attendees.  All agreed that first hand discussion with performing arts professionals proved especially valuable in providing perspective for those who seek to help care for their health and welfare. Thanks also to the Musicians’ Union for so generously providing the venue.

More information about our Training Days can be found here: BAPAM Training Days.

Healthy Performance – Training and Health Care for Successful Acting Careers

Wednesday, October 9th, 2013

We’ve contributed an article to Drama UK, the standards and advocacy organisation for drama schools in the UK. You can read the article here: Healthy Performance – Training and Health Care for Successful Acting Careers

Let us know what you think – do you agree ‘occupational health’ should be a core component of actors’ (and all performers’) training?

Study Days from the British Voice Association

Wednesday, July 31st, 2013

The BVA has a number of courses coming up through September to November.

For full information on the following events take a look here: http://www.britishvoiceassociation.org.uk/events.htm

Rock and pop day - flyer
Voice and the Brain

Rock and Pop Day

Voice Science for Choirs: cutting edge thinking for choral conductors

Weak, Wobbly or Working?

Voice Clinics Forum

Autogenic Training Course with Giovanna Reitano

Monday, December 17th, 2012

This course is provided independently by Giovanna Reitano, an AT practitioner with a background in the performing arts (music, drama and storytelling), and a member of the British Autogenic Society and the BAPAM Directory of Performing Arts Medicine Practitioners.

To find out more and for bookings, please contact Giovanna directly at autogenic-training@musarteandmore.com.

Enhancing Performance with Autogenic Training

Autogenic Training (AT) is a simple relaxation technique and alternative therapy which helps to reduce stress and stress-related conditions, enhance performance, and general well-being.

The seven weeks AT sessions/course helps to:

Bring the body and mind into a state of awake relaxation at will, for example also before or after a performance.

Reduce stress symptoms such as anxiety, stage fright, panic attacks, muscular and emotional tension, headaches and migraines, tiredness, sleeplessness.

Improve focus, concentration and creativity.

Enhance performance and self-esteem.

Develop a calmer attitude to stressful situations.

Venue: The British Association for Performing Arts Medicine (BAPAM), Totara Park House, 4th Floor, 34–36 Gray’s Inn Road, London WC1X 8HR.

Cost: A course of 7 weekly sessions costs £185.

BVA Study Day – How the Breath Inspires

Wednesday, August 15th, 2012

Experts including Alan Watson (The Biology of Musical Performance), Jeannette Nelson (Head of Voice, National Theatre) and Ed Blake (specialist physiotherapist) investigate the physiology of breathing. How does the mechanism of breathing relate to speech and singing?

How the Breath Inspires – the next British Voice Association Study Day, on Sunday 23rd September 2012, covers anatomy, physiology and function, and practical applications for voice, both spoken and sung. Workshop sessions explore links between breathing and voice.

Full programme and booking form here.

Australian Society for Performing Arts Healthcare Conference 2012

Wednesday, July 25th, 2012

The Australian Society for Performing Arts Healthcare (ASPAH) is a multidisciplinary organisation of  healthcare providers and performing artists dedicated to improving the health of performing artists in Australia.

The annual conference aims to bring together artists, healthcare providers and teachers to disseminate current research and share ideas.

The focus in 2012 is on Holistic Healthcare for Performing Artists.

The conference takes place on 1st and 2nd December 2012 at the University of Sydney. Check the ASPAH 2012 conference website for further information.

News for Performing Arts Medicine practitioners/post-graduate students: the deadline for abstract submissions has now been extended to Friday 17th August 2012.