Archive for the ‘Research’ Category

Research Report 2009 – 2011

Tuesday, November 15th, 2011

BAPAM’s mission is to achieve a healthy performance environment for all performing artists through high quality and effective specialist health care, health promotion strategies, and professional development and training in Performing Arts Medicine for health care practitioners.

BAPAM Trustee, Dr Deborah Charnock, has been responsible for helping BAPAM develop a programme of evaluation and research to underpin this mission.

This report summarises evaluation and research activities and outcomes at BAPAM since the establishment of the Service Evaluation and Research Advisory Group (SERAG). The outcomes have informed several recommendations relating to governance, operations and future research which are outlined in the report. A draft research work programme for 2011-13 is also included.

Download the report:

Research Report 2009-2011

Requests for further information relating to this report should be directed to Dr Deborah Charnock via deborah@bapam.org.uk

BAPAM Counselling and Psychotherapy Services Survey

Thursday, October 13th, 2011

Dr Carol Chapman is a counselling psychologist and performance coach, and works as a BAPAM practitioner. Dr Chapman has recently taken the lead on our research into psychological and mental health issues affecting performing artists and the development of appropriate services and treatments for this special group.

Dr Chapman is currently conducting a survey of the amount, scope and treatment modalities currently being employed by counselling and psychotherapy practitioners on the BAPAM Directory. We are also interested to hear from practitioners who are not currently associated with BAPAM.

Practitioners are being asked to complete a brief, anonymous questionnaire covering details of professional practice, experience with performing artists, and views and needs regarding specialist support, as well as basic demographic information. The survey will help us identify practitioners’ needs and enable us to develop new and exciting networks, training and resources for specialist work in this field.

If you think the survey is relevant to you but have not yet completed a questionnaire, please download the survey form and return it to us at:

BAPAM, FREEPOST NAT 18607, London WC1X 8BR, or contact Dr Chapman at carol.chapman@bapam.org.uk for more information.

Thanks for your help!

download the survey form here

Stage Fright and Well-being Survey

Tuesday, September 6th, 2011

Please note, this survey is now completed.

Danica Giles MBPsS (Graduate Member of the British Psychological Society) is investigating the effect of stage fright on the health and well-being of professional performing artists as part of her diploma thesis at the University of Tübingen, Germany.  If you are interested, take a look at the advert below.

Danica will share the results of this very interesting survey with BAPAM and the information will help our understanding of performers’ health. Participation is voluntary and anonymous. Details of the survey findings will be available through the BAPAM website

This independent research project has been checked and approved by BAPAM but we do not have a role in the funding, design or analysis of this work. We will not ‘own’ the data or project findings.


Interested in research on the well-being of performing artists?

Participate in this online survey and you can win £100!

Are you a performer and would like to know more about how you can improve your health & well-being through recovery? Then I invite you to participate in a study about stage fright and well-being that I am conducting for my diploma thesis in psychology. Just follow the link below to a questionnaire that takes about 20 minutes to complete. Your participation is completely anonymous and you can leave the questionnaire at any time. The study has been given a favourable ethical opinion by the University of Surrey Ethics Committee. You will also be given the option to enter a draw to win one prize of 100 Pounds by providing your email address at the end of the questionnaire. In a few weeks’ time you will be able to read the results with tips on how to recover more effectively from stress (via a link given to you at the end of the questionnaire)!

CLICK HERE to complete the questionairre

 

 

From injury to performance: Lessons to share in dance and sports

Thursday, March 24th, 2011

This event is almost sold out. To book your place, register now.

The Royal Society of Medicine and Dance UK have once again come together to organise a one-day dance and sports medicine conference. These two areas have much in common in terms of the demands placed on the human body and mind, and the run up to the London 2012 Olympics seems a great moment to learn from each other. In these two high performance environments risk of injury is ever present and its effects can jeopardise careers. There has already been a certain amount of cross fertilisation between the worlds of sports and dance medicine, with an increasing number of practitioners having worked with both athletes and dancers.

For all the info and to book your place, click here.

Foundations for Excellence Conference 2011

Monday, January 24th, 2011

F4E-Conference-2011-Flyer-s

Bookings are now open for the Foundations for Excellence Conference 2011 which takes place Monday 28 February – Tuesday 1 March at Dartington Hall, Totnes, Devon TQ9 6DE.

Foundations for Excellence began as a Department for Children, Schools and Families’ Music and Dance Scheme conference in 2009 and now aims to provide practitioners, young musicians and dancers with access to current research, ideas, examples and good practice.

The 2011 conference gathers internationally recognised speakers (including Honorary Consultant Rheumatologist to BAPAM, Professor Rodney Grahame) to explore topics surrounding the nurturing and supporting of talented young dancers and musicians. Topics to be covered include:

Is Talent Innate or Trainable?
Ability or Image?
Developing and Supporting the Teacher
Matching Dreams with Reality
Lifestyle Strategies to Combat Performance Anxiety
Masterclass observation
Hypermobility
Training
Challenging Physiques
Teaching Young Voices Safely
Motivation and Goals
Supporting the Teacher’s Voice

Here’s the official flyer (or click on the image above): F4E Conference 2011

For further information and to book your place please visit the Foundations for Excellence website.

Telephone Survey

Monday, August 23rd, 2010

Between September and December we will be conducting a telephone survey of a random sample of performers who visited BAPAM’s London clinic earlier in the year.

The aim of the survey is to learn about performers’ experiences at the clinic and in the months afterwards, and whether or not visiting BAPAM has been helpful. We hope the survey will enable us to assess BAPAM’s services, highlight any aspects that we may need to improve, and provide a broad understanding of the most effective treatment and care for performers’ health problems. The survey results will also help us design a routine follow-up questionnaire for all performers visiting BAPAM in future.

Participation is voluntary.

The survey is being co-ordinated by BAPAM’s Dan Hayhurst and Dr Deborah Charnock, a Trustee and Chair of BAPAM’s research group. Deborah will be conducting the interviews: she is an experienced researcher and has developed BAPAM’s Research Policy, and will ensure that any information you provide is kept strictly confidential and is anonymised in any analysis and report arising from the survey.

International Symposium on Performance Science: Call For Papers

Thursday, August 19th, 2010

CALL FOR PAPERS

ISPS 2011
Models of Performance

24 | 27 August 2011
Toronto | Canada

www.performancescience.org

The next International Symposium on Performance Science will be hosted by the University of Toronto on 24-27 August 2011.

The ISPS 2011 theme, Models of Performance, is intended to encourage discussion and debate on issues ranging from ‘models’ of good practice (e.g. research into inspirational performers, teachers, or learners) to scientific ‘models’ of performance processes and products. Specific research topics, fields of study, and methodological approaches have been left open intentionally to encourage interdisciplinary exchange.

Submissions detailing original research are invited from across the performing arts, as well as the natural, social, and applied sciences. Those whose primary interests lie outside of the arts, but whose work nonetheless offers implications for the performing arts and/or for performing artists, are also encouraged to submit proposals.

KEY DATES

1 December 2010: Paper/poster abstract submission deadline
1 February 2011: Notification of submission decision
1 March 2011: End of early registration
15 April 2011: Deadline for papers for the ISPS proceedings
24 August 2011: Start of ISPS 2011

SUBMISSIONS

Submissions are invited for

- Spoken papers
- Poster presentations
- Symposia and workshops

Detailed instructions for submissions are available via the conference website: www.performancescience.org. Submissions should be made electronically to cps@rcm.ac.uk by 1 December 2010.

GRADUATE AWARD

The Scientific Committee is keen to encourage the attendance of students, as well as established researchers and practitioners. Therefore, the ISPS 2011 Graduate Award will be offered to one graduate student to present a keynote paper at the conference.

REVIEW PROCESS

Each submission will be reviewed anonymously by the Scientific Committee according to its originality, importance, clarity, and interdisciplinarity. Corresponding authors will be notified by email of the Committee’s decision by 1 February 2011.

CONFERENCE PUBLICATION

Accepted paper, poster, and symposium/workshop submissions will be published as 6-page papers in the Proceedings of ISPS 2011 (complete with ISBN), available in hardcopy at the conference and subsequently downloadable via the conference website. Details of the procedure and format for submitting published papers will be provided when authors receive notification of acceptance. Final papers for publication will be due on 15 April 2011.

REGISTRATION

Full and one-day registration options are available. Members of the following affiliated societies are eligible for a registration discount:

- European Association of Conservatoires (AEC)
- International Association for Dance Medicine and Science (IADMS)
- International Society for Music Education (ISME)
- Performing Arts Medicine Association (PAMA)
- Society for Music Perception and Cognition (SMPC)

Online registration will open on 1 December 2010.

For further information about the venue, submissions, graduate award, and registration, visit the conference website: www.performancescience.org.

The official language of the conference is English.

Announcement of Diploma/MSc in Performing Arts Medicine

Thursday, May 13th, 2010

With financial help from PPL (the company that licenses use of sound recordings and videos), BAPAM is currently working with University College London (UCL) to set up a Diploma/MSc in Performing Arts Medicine. The academic programme, examinations and administration will be provided by UCL.  The course is designed for doctors, physiotherapists and allied medical professionals.

The Diploma course will consist of 120 credits in research methods, ethics, performance physiology, anatomy and psychology and modules in medicine related to instrumental musicians, dancers, singers and actors.  The MSc will involve a further 60 credits and a research project in one of the subspecialties of music, dance and voice – BAPAM and UCL are currently establishing relationships with collaborating institutions (such as the Royal College of Music) to help deliver the programme.

The course will be available full-time (one year for the diploma) or part-time (two years).  It will be competitively priced and we are actively working on an affordable costing.  The anticipated start date is September 2011.

This is an exciting development in a growing field, both in the UK and internationally.  It will be the only such medical course available in the UK and we hope it will enable us to consolidate and spread experience throughout the country commensurate to the current high (but ad hoc) standing of Performing Arts Medicine in Britain.

Further information and updates will be posted on this website as they become available.   If you wish to be advised as to progress, please register your possible interest by emailing admin@bapam.org.uk, entitling your email ‘PAM Expression of Interest’.

Alcohol and the Performing Arts

Wednesday, April 14th, 2010

Here’s a link to the December 2009 issue of Alcoholis - The Bulletin of the Medical Council on Alcohol, which contains an article by Dr Jenny Lisle, ‘Alcohol and the Performing Arts’, focussing mainly on alcohol use among orchestral musicians.

Alcoholis December 2009 Issue (PDF)

The Medical Council on Alcohol is a small national charity committed to improving the medical understanding of alcohol-related problems.

Diploma/MSc in Performing Arts Medicine

Monday, April 12th, 2010

The British Association for Performing Arts Medicine (BAPAM), with financial help from PPL, is currently working with University College London (UCL) to set up a Diploma/MSc in Performing Arts Medicine. The academic programme, examinations and administration will be provided by UCL.  The course is designed for doctors, physiotherapists and allied medical professionals.

The Diploma course will consist of 120 credits in research methods, ethics, performance physiology, anatomy and psychology and modules in medicine related to instrumental musicians, dancers, singers and actors.  The MSc will involve a further 60 credits and a research project in one of the subspecialties of music, dance and voice – BAPAM and UCL are currently establishing relationships with collaborating institutions (such as the Royal College of Music) to help deliver the programme.

The course will be available full-time (one year for the diploma) or part-time (two years). It will be competitively priced and we are actively working on an affordable costing.  The anticipated start date is September 2011.

This is an exciting development in a growing field, both in the UK and internationally.  It will be the only such medical course available in the UK and we hope it will enable us to consolidate and spread experience throughout the country commensurate to the current high (but ad hoc) standing of Performing Arts Medicine in Britain.

For further information, please email naomi@bapam.org.uk