Posts Tagged ‘Dance Injury’

Performers Health Hub App Launched

Thursday, March 30th, 2017

Dance Longer Dance Stronger has launched a new app designed to enable performers to locate a range of dance-specialist healthcare, both private and NHS, and reliable, evidence-based resources on a range of health topics including fitness, first-aid for dancers, nutrition and hypermobility.

Resources on the Performers Health Hub are drawn from a consortium of organisations at the forefront of dance medicine and science research and advocacy including National Institute of Dance Medicine and Science, One Dance UK, Safe in Dance International and the British Association for Performing Arts Medicine and will be continually updated as research progresses.

The app has been developed in response to the high injury rate among dancers and the lack of time available due to the nature of their work, to conduct thorough research in locating top quality healthcare.

Around 80% of all dancers will suffer an injury each year through training, rehearsal or performance* or as a result of fatigue and overwork, insufficient warming-up or cooling-down, recurring injury or not being able to respond to the early warning signs of injury**.

Due to the nature of their work, and the demands of their complex schedules, dancers, teachers and choreographers can find it extremely challenging to find the sufficient time needed in order to locate reliable, dance specialist care and resources. This can lead to many dancers abandoning the search altogether and working through an injury.

Director of Dance Longer Dance Stronger Claire Farmer comments: ‘By housing this vital information in one place, the app removes the need to spend precious time searching the internet and attempting to establish the quality and reliability of the information available there. Dancers can quickly find dance specialist healthcare practitioners and clinical services, providing the expert knowledge that can help dancers then return to the studio quicker.’

To download the app please visit the Apple or Google stores.

The information on this app is not intended to diagnose an injury.  If you are concerned about an injury please always consult a registered healthcare professional.  To query any of the information highlighted in this app please contact Dance Longer Dance Stronger directly.

For more information contact: Claire Farmer MSc info@dancelongerdancestronger.com

*Laws, H (2005) Fit to Dance 2, Dance UK, Newgate Press, UK: London

** Brinson, P & Dick, F (1996) Fit to Dance, Calouste Gulbenkian Foundation, UK: London

Research Published into Ballet Dancers’ Experiences of Injury and Osteopathy

Friday, February 24th, 2017

Osteopath, Toby Pollard-Smith, has published his research into Professional ballet dancers’ experience of injury and osteopathic treatment in the UK  in the January 2017 issue of the Journal of Bodywork and Movement Therapies. BAPAM helped recruit participants for the project, which Toby undertook while training to be an osteopath.

Toby’s previous career as a professional ballet dancer contributed to his interest and expertise in treating dance injuries, and we were recently pleased to welcome him to our Directory of Practitioners. Toby, who is also a keen trumpet player, treats dancers, musicians and other performing artists in Ascot and Marlow. Find Toby Pollard-Smith on the BAPAM Directory.

Performing Arts Medicine Graduates at IADMS Conference in Hong Kong

Tuesday, November 8th, 2016

We are delighted that two of our Performing Arts Medicine graduates from the University College London Master’s degree in Performing Arts Medicine presented their research results at the International Association for Dance Medicine and Science (IADMS) 26th annual conference at the Hong Kong Academy of Performing Arts.

Susanna Piculell, a Swedish Physiotherapist working in private practice and with the Swedish Volleyball team, undertook research with the Royal Ballet into pre-seasonal screening and injury rates in classical ballet. Since graduating from UCL she has relocated to Sweden and integrated her gained knowledge and skills at Lunds Dans och Musikalgymnasium (a secondary school for dance and musical theatre students), Malmoe Academy of Music and Artists and Musicians health in Malmoe. Experiences from her MSc (including the many observations at the BAPAM clinic) have contributed not only to Susanna’s clinical work but also to new career opportunities. She is now also lecturing on ergonomics and healthy lifestyles for musicians.

Karolin Krell, Physiotherapist and Osteopath, works in private practice in London and regularly tours with the German National Rowing and Skeleton Team. She explored sleep and rest habits amongst performing artists during her MSc studies and presented her results during the science poster session in Hong Kong. Since completing her MSc she also practices on site at the London Contemporary Dance School and supported various circus and dance companies backstage to keep busy tour schedules rolling. Furthermore, Karolin is very eager and involved in the newly formed UK Osteopathic Performing Arts Care Association (OPACA), an interest group for osteopathic students and osteopaths involved or interested in the health care of performing artists.

Susanna and Karolin both share a passion to support and develop performing arts medicine and enjoyed the conference very much. IADMS strives to enhance the health, well-being, training and performance of dancers by ‘cultivating educational, medical and scientific excellence’. The meeting in Hong Kong proved to be a wonderful opportunity to exchange thoughts and ideas with dance medicine and science experts from all over the world. After four exciting days filled with seminars, poster presentations, movement sessions and social events (and tropical storms!) Susanna and Karolin returned inspired with new ideas for management and treatment approaches within the dance sector. Amongst many things, it was very beneficial to have the opportunity to network and connect with peers. Meeting other delegates from Finland and Sweden allowed Susanna to further develop collaboration between Scandinavian performing arts medicine practitioners. One idea is to arrange a smaller Scandinavian meeting in 2017 as an additional networking opportunity prior to the IADMS 28th meeting, which will be in Helsinki 2018.

Susanna and Karolin are very grateful in particular to the British Association of Performing Arts Medicine (BAPAM) and their supervisors that guided them though their studies at the University College London.

Susanna was winner of the BAPAM prize in 2015 for the UCL PAM MSc Research Project.

Both Susanna and Karolin received BAPAM Shipley-Rudge Research & Education Awards to support attendance at research conferences to present their MSc research during 2016. BAPAM is able to offer these awards thanks an annual donation from Dr Mike Shipley and Philip Rudge.