This summary of the results of the study contains some demographic information on the participants, followed by brief explanations of the assumptions tested and the results.

The last part contains the interpretation of the results. Danica has tried to turn the rather theoretical findings into as many practical tips as possible and has also referred to previous research.

If you are not interested in all the details, just skip to the very last page with a summary of all
recovery tips!

Download the results here.

Sensory Motor Release (GP/Physio)

Musculoskeletal Rehabilitation of Disabled, Elderly and Multi-talented Performers (Rheumatologist)

Chronic Pain (Rheumatologist)

Ageing and Performance Q&A with Gabrielle Hamilton (actor), Fergus Early (dancer) and Catherine Butler Smith (musician)

Plus, performing arts medicine practitioners can learn from and with professional musicians in two practical sessions with violinist (and Alexander Technique teacher), Ron Colyer, and clarinettist, Andrew Roberts.

Click here to download the programme

Please note this event is now fully booked.

Attendees should come to the main reception of:

Franklin-Wilkins Building
Stamford Street
London
SE1 9NH

Venue information: http://www.kcl.ac.uk/about/campuses/waterloo.html

Danica Giles MBPsS (Graduate Member of the British Psychological Society) is investigating the effect of stage fright on the health and well-being of professional performing artists as part of her diploma thesis at the University of Tübingen, Germany.  If you are interested, take a look at the advert below.

Danica will share the results of this very interesting survey with BAPAM and the information will help our understanding of performers’ health. Participation is voluntary and anonymous. Details of the survey findings will be available through the BAPAM website

This independent research project has been checked and approved by BAPAM but we do not have a role in the funding, design or analysis of this work. We will not ‘own’ the data or project findings.

Interested in research on the well-being of performing artists?

Participate in this online survey and you can win £100!

Are you a performer and would like to know more about how you can improve your health & well-being through recovery? Then I invite you to participate in a study about stage fright and well-being that I am conducting for my diploma thesis in psychology. Just follow the link below to a questionnaire that takes about 20 minutes to complete. Your participation is completely anonymous and you can leave the questionnaire at any time. The study has been given a favourable ethical opinion by the University of Surrey Ethics Committee. You will also be given the option to enter a draw to win one prize of 100 Pounds by providing your email address at the end of the questionnaire. In a few weeks’ time you will be able to read the results with tips on how to recover more effectively from stress (via a link given to you at the end of the questionnaire)!

CLICK HERE to complete the questionairre

The Royal Society of Medicine and Dance UK have once again come together to organise a one-day dance and sports medicine conference. These two areas have much in common in terms of the demands placed on the human body and mind, and the run up to the London 2012 Olympics seems a great moment to learn from each other. In these two high performance environments risk of injury is ever present and its effects can jeopardise careers. There has already been a certain amount of cross fertilisation between the worlds of sports and dance medicine, with an increasing number of practitioners having worked with both athletes and dancers.

For all the info and to book your place, click here.

UPDATE: The finalised programme for the day is now online. Click here to view/download it.

Liz Johnson would like some practitioners to bring in their instruments for her afternoon Soundbeam session, so if you play an instrument and it’s easy to carry, please do join in!

That BVSC venue that is hosting the day will direct everyone to our room on the day and please simply ask for BAPAM at reception.

To book your place at the next BAPAM Performing Arts Medicine Training Day please return this response form to Sanchita Farruque at the BAPAM office. The price is just £65 (£45 for students). BAPAM training days may be used as part of your CPD portfolio.

BAPAM’s Birmingham Training Day on Saturday 14^th May runs from 9.30am to 5pm and will have three core strands:

• The Conservatoire – focusing on student problems and training, rehab after injury etc
• The CBSO – focusing on the orchestral musician
• The Birmingham Royal Ballet- focusing on dance issues

Programme and speakers are being finalised by the Birmingham BAPAM team, made up of Dr Jonathan White and Karen O’Connor. We’ll be covering subjects like:

• Performance Coaching, the Bach to Sport project at the Birmingham Conservatoire, and other student/tutor related issues
• Nutrition & Fitness and the Female Athlete Triad
• Case presentations of some unusual problems e.g. trumpet player with rare embouchure problem, amateur wind player with a Handelian condition, and a pop musician with a neurological event

The Training Day will take place at BVSC, The Centre for Voluntary Action in the Digbeth area of Birmingham.

More detailed information here: Birmingham Bites! Midlands Medicine, Music and Movement and check back for the full programme soon.

There is a CBSO Concert on Saturday night at Symphony Hall starting at 7pm (finishing around 9pm). Karen has negotiated a block of excellent seats in the Upper Circle of Symphony Hall for £14.50 each. But we need to know straight away if you want to book a ticket! Just give Sanchita a call on 020 7404 5888.

RUSSIAN CLASSICS

Andrew Litton  conductor Simon Trpceski piano

Prokofiev: War and Peace – Overture    6′
Rachmaninov: Piano Concerto No. 2   32′
Shostakovich: Symphony No. 10          46′

IADMS
Lifetime Service Award

Mr A.J.G (Justin) Howse

MB BS FRCS FISEM

In honor of your exemplary service to dancers
and your outstanding contributions to
dance medicine and dance science

2010

Justin Howse is a Consultant Orthopaedic Surgeon, former BAPAM Trustee and Senior Physician with vast experience within the performing arts especially concerning dance. He has contributed to numerous publications and is co-author of the book Dance Technique & Injury Prevention, now in its 4th edition.

Justin has lectured worldwide on dance injuries.  He was also Orthopaedic Consultant to The Royal Ballet School, The English National Ballet (company and school), The Royal Academy of Dancing and the Royal Society of Musicians amongst others. He is now retired and travels as much as his hectic schedule allows.

Congratulations!

Bookings are now open for the Foundations for Excellence Conference 2011 which takes place Monday 28 February – Tuesday 1 March at Dartington Hall, Totnes, Devon TQ9 6DE.

Foundations for Excellence began as a Department for Children, Schools and Families’ Music and Dance Scheme conference in 2009 and now aims to provide practitioners, young musicians and dancers with access to current research, ideas, examples and good practice.

The 2011 conference gathers internationally recognised speakers (including Honorary Consultant Rheumatologist to BAPAM, Professor Rodney Grahame) to explore topics surrounding the nurturing and supporting of talented young dancers and musicians. Topics to be covered include:

Is Talent Innate or Trainable?
Ability or Image?
Developing and Supporting the Teacher
Matching Dreams with Reality
Lifestyle Strategies to Combat Performance Anxiety
Masterclass observation
Hypermobility
Training
Challenging Physiques
Teaching Young Voices Safely
Motivation and Goals
Supporting the Teacher’s Voice

Here’s the official flyer (or click on the image above): F4E Conference 2011

For further information and to book your place please visit the Foundations for Excellence website.

At our clinics, BAPAM doctors give medical advice to many performers with musculoskeletal injuries (temporarily) preventing their ability to pursue their careers/education. In addition to the physical problem, there is a psychological impact. Being injured is stressful! AT is one way of reducing the stress and tension which can exacerbate the effects of physical injury.

AT can be particularly useful for all forms of anxiety, including performance anxiety (stage fright), and panic attacks. The relaxed state induced by autogenic exercises restores regular heartbeats, normal breathing patterns, and increases concentration clarity and alertness. People report feeling more confident and energised.

Tammy Mindell, an Autogenic Therapist listed on BAPAM’s directory of practitioners, says, ‘a semi-professional singer learnt AT for other stress related issues. As an unexpected bonus, she found her singing greatly improved. She became less anxious about good performance, allowing herself to be good enough. The results meant that rather than over breathing and pushing the sound, I could relax and allow and enjoy a much easier and better quality performance’.

In some cases, advanced autogenic techniques may be used as a form of psychotherapy.

Useful links:

The British Autogenic Society is the professional and regulatory body for Autogenic Therapists in the UK. Their web site contains a wealth of further information about autogenic training.

Autogenic Therapists on the BAPAM Directory of Practitioners:

Tammy Mindel: www.autogenictraininglondon.co.uk
Giovanna Reitano: www.musarteandmore.com
Catalina Botello: www.autogenic-therapy.net

If you are worried about a medical problem, including anxiety or another psychological problem, you should consult your GP. If you are a performing artist and the problem is work-related you may also seek advice from a BAPAM GP at one of our free clinics.

Introductory Workshop and Short Course

In Aid of UNICEF Pakistan Flood Children’s Appeal

£25 Minimum ~ Workshop Fees will be Donated & Added to by Gift Aid

Saturday 18 September ~ 2.0pm – 4.30pm

Small Group max 6 ~ so it is essential to enrol in advance

As the group is small, you will be able to experience some individual hands-on work with an experienced teacher.

• Experiential Games
• Demonstrations and Discussion
• Hands-on Work
• Refreshments Organic / Fairtrade

You will be asked to lie on the floor and to take your shoes off.  Please wear loose trousers and comfortable clothing without hoodies.

Reduced rate 1:1 Follow-up Lesson is available to participants

http://www.hilaryking.net/alexander-technique/workshops/

Short Introductory Course ~ £60

Linked to the UNICEF Workshop, which could also form the first session of this

4 week Introductory Course:

Saturdays (18), 25 September, 2, 9 October ~ 2.0 – 4.0pm

A separate fee is required for the extra 3 sessions, which are not part of the fund-raising.

Book Workshop & Course Together ~ £75

(£25 still goes to UNICEF)

This course offers you a cost-effective way to extend your learning of the Technique and is only available to participants of the UNICEF Workshop or a previous Intro Workshop.

Further Information and Booking: www.hilaryking.net

Book Workshop & Course Together ~ £75

(£25 still goes to UNICEF)

To sign up, please download this registration form and either print it out and return it by post or email it to Nóra Geraghty, whose contact details are on the form.

If you are an Ireland based performing artist with a work-related health problem, Dr Juliet Bressan, BAPAM’s doctor in Dublin, can advise you. Assessments are free for full and part time professional performers as well as students. To book an appointment please call us on 0044 (0)20 7404 8444. Click here for more information about BAPAM’s free assessment appointments.