Posts Tagged ‘Education’

Violinists and Viola Players Research

Thursday, May 10th, 2012

Violinists and viola players – would you like to find out more about how to optimise your playing?

Photo: Mel B.

Postgraduate student and violinist, Dr Alison Loram, is looking for student, professional and amateur violinists and viola players for her study.

The study, in collaboration with University College London and Manchester Metropolitan University, aims to understand more about the neuromuscular aspects of playing the violin/viola, and the effects that these may have upon musculoskeletal and other playing-related problems.

Alison believes that violinists and viola players taking part will benefit from the insights gained: “You will have the opportunity to see how your neck and shoulder muscles are involved in holding and playing your instrument, the bodily movements you make, and how these may be optimised to enhance your playing and reduce/prevent muscular tension”.

The study is open to any student, professional or experienced amateur (regardless of whether or not you have playing-related problems), and will involve attending one individual 2-hour session during May, July/August or September.  The confidential session (to be held at Manchester Metropolitan University in Manchester City Centre near to the Royal Northern College of Music), will involve standing and playing your instrument for very short periods whilst your muscular activity and movements are recorded and analysed using ultrasound scanning and movement analysis equipment.  No preparation is required.

Participation is voluntary and you can leave the research at any time. If you agree to participate in the study, you will be given a detailed information sheet and a consent form.

For further details or to sign up for the study, please contact Dr Alison Loram directly by emailing alison@loram8.freeserve.co.uk

Please share this article amongst any family, friends or colleagues you think may be interested in participating.

Note: This research project is not being conducted by BAPAM. The project has official ethics approval from UCL (University College of London) and is covered by UCL’s data protection protocol.

Pianists Research

Wednesday, April 25th, 2012

Pianists, are you interested in taking part in research into arm tension and other painful conditions? 

Medical doctor and pianist, Dr Hara Trouli, is looking for advanced students and professional pianists to take part in this project. Dr Trouli explains:

I am a medical doctor and a pianist, currently also a student of the first Masters Degree on Performing Arts Medicine at University College London that was developed by BAPAM (British Association of Performing Arts Medicine) in collaboration with the Royal College of Music and Trinity Laban.  I am conducting research on pianists’ arm tension and other painful conditions under the supervision of Professor Howard Bird who is a UK specialist in performers’ health.

We need to see advanced students or professional pianists who have suffered at some point a medical or painful condition (either diagnosed or not) of the upper limb or the cervical spine (hands, wrist, arms or neck) and analyse their piano playing through a triple method of video/ MIDI/ Electromyography.

The idea is to see whether these conditions show signs on the graphs of muscle tension in the arms and neck (electromyography), velocity, force and articulation of piano playing (MIDI) and on postural images of the hand and arm (video). We are aiming to bridge the technical pianistic accomplishment with the clinical history and to measure parameters that would be reproducible and available to both the pianists and the doctors for evaluation. We are also trying to see whether these parameters can be used in monitoring the progress of the pianist during recovery from a painful condition or an injury, and to also enable the pianist to use this method as biofeedback when they re-train.

The assessment of each pianist lasts 2 hours, it takes place in a studio in North London and travel expenses are covered up to £10.00.   Full information and consent sheets will be given to you before your assessment. We would need to see you in April or May and appointments can be made for any weekday or the weekends. We will also be pleased to share the results of your assessment with you and send you a full report of the recorded images. All information that we will receive from you is kept strictly confidential.

Please contact Dr Trouli directly if you’d like to get involved: haratrouli@googlemail.com  

Photo by David Denicolò

BAPAM Newsletter April 2012

Thursday, April 12th, 2012

Our April 2012 Newsletter is now available to download in pdf format here:

BAPAM Newsletter April 2012

 

BAPAM Training Day May 19 – Key Psychological Issues

Thursday, April 5th, 2012

BAPAM training events provide an in-depth look at some of the key areas of Performing Arts Medicine and unique insights into aspects of performers’ health and wellbeing. Our May 2012 event focuses on the psychological issues encountered by performing artists.

Performing artists work in a highly competitive industry and are driven to achieve perfect results. Stress and anxiety are often in the background when performers present with physical symptoms. In addition, the psychological impact of an injury affecting performance can be tough to deal with. All health care practitioners working with actors, dancers, musicians, singers and other artists will find something here to apply in their practice.

BAPAM training events may be used as part of your CPD portfolio.

The programme for the day covers:

  • Diagnosis
  • Depression/bipolar
  • Anxiety
  • Career choices and development
  • Performance coaching
  • Autogenic Training
  • Role play as a therapeutic tool
  • Screening tools for psychological problems

Click here for the detailed programme

The cost of the day is £65 (Students £35).

Venue: University College London, Gower Street, London, WC1E 6BT – Closest tube: Warren Street. We will update with the exact room numbers/campus directions as soon as we have confirmation from UCL.

To book your place or for more information please email Office and Clinics Manager, Clare Hicks, via clare@bapam.org.uk

An Introduction to Treating The Performing Artist

Wednesday, March 28th, 2012

Jennie Morton, osteopath and lecturer & module leader for the UCL/BAPAM Performing Arts Medicine MSc, presents a one-day CPD course for musculoskeletal practitioners:

AN INTRODUCTION TO TREATING THE PERFORMING ARTIST

Sunday April 15th 2012

10.00am – 5.00pm

at

THE BRITISH SCHOOL OF OSTEOPATHY – Berthon Room

275, Borough High Street. London. SE1 1JE

The day will include:

Common injuries in Dancers, Instrumental Musicians, Vocalists & Actors

Assessment, treatment & management approaches for performers

The postural, ergonomic & technique issues faced by performing artists

The environmental challenges for performing artists

7 Hours CPD

Course Fee £85 (Students £70)

Course Tutor:

Jennie Morton BSc (Hons) Osteopathy

UCL Honorary Lecturer & Module Leader for the MSc in Performing Arts Medicine, UCL Division of Surgery & Interventional Science

Osteopath & Lecturer for The British Association for Performing Arts Medicine

Speaker for Dance UK: Healthier Dancer Programme

For further info or to request a booking form, please email jennie@jenniemorton.co.uk

I See a Voice

Wednesday, February 29th, 2012

Practical Acoustics for Speech and Singing

The forthcoming British Voice Association Research Day on Sunday May 20th is all about acoustics. Acoustics of the vocal tract, vowel production, the way the ear processes voice signals plus a presentation on acoustic analysis software in the teaching studio.

Further details and application form here.

 

 

 

Weak, Wobbly or Working?

Monday, January 30th, 2012

The next British Voice Association study day, at the Royal Northern College of Music in Manchester, focuses on the effects of ageing on the voice and the vocal problems associated with ageing. Surgical, voice therapy and singing solutions will be discussed.

Follow the link for detailed information and to book your place:

“Weak, Wobbly or Working?” The Multidisciplinary Management of the Ageing Voice

Sunday 25th March, 2012 11.30am – 5.15pm

Speakers include:

•Sue Anderson (Singing Teacher and Researcher)

•Phil Jones (Consultant Otolaryngologist)

•Liz McNaughton (Specialist in the Singing and Speaking Voice)

•Jane Shaw (Voice Specialist Speech and Language Therapist)

•Mark Watson (Consultant Otolaryngologist)

MSc / Diploma in Performing Arts Medicine

Tuesday, May 3rd, 2011

The British Association for Performing Arts Medicine is the main inspiration and developer of the MSc / Diploma in Performing Arts Medicine to be delivered by University College London from September 2011.  Currently in our 25th year, we have been at the forefront of this specialism, both in the UK and internationally. Along with our partner universities, we have convened many of the most eminent practitioners and researchers in the field to teach and supervise this course.

MSc / Diploma in Performing Arts Medicine

at

University College London

From September 2011

in conjunction with

British Association for Performing Arts Medicine

The Royal College of Music

Trinity-Laban Conservatoire of Music and Dance

Do you work with elite or recreational dancers, actors, musicians or vocalists and want to learn more about performing arts injury prevention and management?

Do you care for individuals with musculoskeletal conditions that limit their activity?

Do you want to understand more about the links between health, performance and physical activity?

Do you want to know about the pharmacology prescribed and its effects on performing artists?

Do you need to understand the psychology of performance and current management strategies?

Do you want to be able to prescribe a range of rehabilitation exercises for a range of conditions?

If you answered ‘yes’ to these questions, then this is the programme for you!

This programme will provide specialised training in Performing Arts Medicine to clinicians interested or already involved in treating this very special subset encompassing instrumental musicians, singers, dancers, actors and all performing artists. It will equip clinicians with specialised knowledge and provide a baseline qualification which may eventually become a minimum requirement for health professionals working in this field.  It is also intended to be a vehicle for stimulating Performing Arts Medicine research.

The programme is designed for clinicians from many backgrounds, including, but not limited to General Practitioners, Physiotherapists, Osteopaths, Chiropractors, Hand therapists, Sports and Exercise Physicians, Rheumatologists, Orthopaedic Surgeons, Specialists in Psychotherapeutic Treatments.

The course ranges widely across musculoskeletal & neuromuscular injury, ergonomics, focal dystonias, differential diagnoses, performance psychology, drugs and self medication and assessment and rehabilitation of performance related injury. Alongside detailed clinical teaching and method there will be practical content relating to the performing arts industry,  law, research, dance and voice science and a guide to NHS and other clinics to which patient referrals should be made.

Click here for more details: MSc Diploma in Performing Arts Medicine – Further Information

Here is the UCL course description: http://www.ucl.ac.uk/surgicalscience/courses/msc_performing_arts_medicine/msc_arts_medicine_modules

Contact Information:

BAPAM: Development Director for Performing Arts Medicine: Ian MacDonald +44 (0)20 7404 8444 ian.macdonald@bapam.org.uk

UCL: Programme Administrator: Mark Armstrong +44 (0)20 7472 6220 mark.armstrong02@ucl.ac.uk

BAPAM logo for websites no bleed

Well-being for Cellists

Friday, March 4th, 2011

Cello-Well-Small

Click on the  image for the event flyer.

The London Cello Society‘s Well-being for Cellists workshop takes place on Sunday 13th March 2011 at the Royal Academy of Music. Expert presenters,  Katherine Butler (Preventing Hand Injuries), Selma Gocken (Alexander Technique), Erika Klemperer (Psychodynamic Psychotherapy) and Felicity Vincent (Pilates Method) discuss:

How do we play our instrument in harmony with our design?

How can we take advantage of the wonderful natural coordination we possess as human beings?

How can we pass on to our students the knowledge that will prevent injuries?

What are the emotional challenges of our profession and how do they affect our well-being?

The event costs £50 or just £25 for students/concessions with a 25% discount for LCS members.

Click here for more information and to book your place.

Foundations for Excellence Conference 2011

Monday, January 24th, 2011

F4E-Conference-2011-Flyer-s

Bookings are now open for the Foundations for Excellence Conference 2011 which takes place Monday 28 February – Tuesday 1 March at Dartington Hall, Totnes, Devon TQ9 6DE.

Foundations for Excellence began as a Department for Children, Schools and Families’ Music and Dance Scheme conference in 2009 and now aims to provide practitioners, young musicians and dancers with access to current research, ideas, examples and good practice.

The 2011 conference gathers internationally recognised speakers (including Honorary Consultant Rheumatologist to BAPAM, Professor Rodney Grahame) to explore topics surrounding the nurturing and supporting of talented young dancers and musicians. Topics to be covered include:

Is Talent Innate or Trainable?
Ability or Image?
Developing and Supporting the Teacher
Matching Dreams with Reality
Lifestyle Strategies to Combat Performance Anxiety
Masterclass observation
Hypermobility
Training
Challenging Physiques
Teaching Young Voices Safely
Motivation and Goals
Supporting the Teacher’s Voice

Here’s the official flyer (or click on the image above): F4E Conference 2011

For further information and to book your place please visit the Foundations for Excellence website.