Posts Tagged ‘Musicians’

Foundations for Excellence Conference 2011

Monday, January 24th, 2011

F4E-Conference-2011-Flyer-s

Bookings are now open for the Foundations for Excellence Conference 2011 which takes place Monday 28 February – Tuesday 1 March at Dartington Hall, Totnes, Devon TQ9 6DE.

Foundations for Excellence began as a Department for Children, Schools and Families’ Music and Dance Scheme conference in 2009 and now aims to provide practitioners, young musicians and dancers with access to current research, ideas, examples and good practice.

The 2011 conference gathers internationally recognised speakers (including Honorary Consultant Rheumatologist to BAPAM, Professor Rodney Grahame) to explore topics surrounding the nurturing and supporting of talented young dancers and musicians. Topics to be covered include:

Is Talent Innate or Trainable?
Ability or Image?
Developing and Supporting the Teacher
Matching Dreams with Reality
Lifestyle Strategies to Combat Performance Anxiety
Masterclass observation
Hypermobility
Training
Challenging Physiques
Teaching Young Voices Safely
Motivation and Goals
Supporting the Teacher’s Voice

Here’s the official flyer (or click on the image above): F4E Conference 2011

For further information and to book your place please visit the Foundations for Excellence website.

Raising Money for the Spinal Injuries Association – Sarah Upjohn

Monday, January 10th, 2011

Sarah Upjohn is raising money for the Spinal Injuries Association. She is one of 147 Cambridge musicians who started learning a completely new instrument on Jan 3rd. She explains:

On January 3rd I am taking up the flute, and on Feb 27th (eight short weeks later) I am sitting the Grade 1 exam. This ‘grade-one-a-thon’ is being organised by musicians around Cambridge, and we are raising money for the Spinal Injuries Association…….a cause close to our hearts, and in the front of our minds, as one of our local french horn players sustained a spinal cord injury earlier this year while doing a spot of DIY.

Sarah is the physiotherapist at the Purcell School, and she is also on the BAPAM directory, treating performing artists in the Cambridge area.

On February 27th the combined talents of the 147 musicians will be unleashed on an unprepared public in a Grade 1 orchestra concert: ‘Clueless in Concert’.

Donations to support this great cause can be made here: http://www.justgiving.com/sarah-upjohn

Autogenic Training – an Introduction for Performing Artists

Monday, September 13th, 2010

Autogenic Training (also called Autogenic Therapy) is a relaxation technique that can help improve stress management and increase wellbeing. Individuals learn the technique over a course of (usually 8 – 10) classes. It is a complementary therapy that is sometimes used in conjunction with conventional medical treatment for a variety of health problems, especially where stress is involved.

At our clinics, BAPAM doctors give medical advice to many performers with musculoskeletal injuries (temporarily) preventing their ability to pursue their careers/education. In addition to the physical problem, there is a psychological impact. Being injured is stressful! AT is one way of reducing the stress and tension which can exacerbate the effects of physical injury.

AT can be particularly useful for all forms of anxiety, including performance anxiety (stage fright), and panic attacks. The relaxed state induced by autogenic exercises restores regular heartbeats, normal breathing patterns, and increases concentration clarity and alertness. People report feeling more confident and energised.

Tammy Mindell, an Autogenic Therapist listed on BAPAM’s directory of practitioners, says, ‘a semi-professional singer learnt AT for other stress related issues. As an unexpected bonus, she found her singing greatly improved. She became less anxious about good performance, allowing herself to be good enough. The results meant that rather than over breathing and pushing the sound, I could relax and allow and enjoy a much easier and better quality performance’.

In some cases, advanced autogenic techniques may be used as a form of psychotherapy.

Useful links:

The British Autogenic Society is the professional and regulatory body for Autogenic Therapists in the UK. Their web site contains a wealth of further information about autogenic training.

Autogenic Therapists on the BAPAM Directory of Practitioners:

Tammy Mindel: www.autogenictraininglondon.co.uk
Giovanna Reitano: www.musarteandmore.com
Catalina Botello: www.autogenic-therapy.net

If you are worried about a medical problem, including anxiety or another psychological problem, you should consult your GP. If you are a performing artist and the problem is work-related you may also seek advice from a BAPAM GP at one of our free clinics.

Alexander Technique with Hilary King

Friday, September 3rd, 2010

All performing artists can benefit from improving their posture, poise and wellbeing. Hilary King, an Alexander Technique teacher working with  actors, dancers and musicians has organised this introductory workshop and short  course, starting on 18th September:

Introductory Workshop and Short Course

In Aid of UNICEF Pakistan Flood Children’s Appeal

£25 Minimum ~ Workshop Fees will be Donated & Added to by Gift Aid

Saturday 18 September ~ 2.0pm – 4.30pm

Small Group max 6 ~ so it is essential to enrol in advance

As the group is small, you will be able to experience some individual hands-on work with an experienced teacher.

  • Experiential Games
  • Demonstrations and Discussion
  • Hands-on Work
  • Refreshments Organic / Fairtrade

You will be asked to lie on the floor and to take your shoes off.  Please wear loose trousers and comfortable clothing without hoodies.

Reduced rate 1:1 Follow-up Lesson is available to participants

http://www.hilaryking.net/alexander-technique/workshops/

Short Introductory Course ~ £60

Linked to the UNICEF Workshop, which could also form the first session of this

4 week Introductory Course:

Saturdays (18), 25 September, 2, 9 October ~ 2.0 – 4.0pm

A separate fee is required for the extra 3 sessions, which are not part of the fund-raising.

Book Workshop & Course Together ~ £75

(£25 still goes to UNICEF)

This course offers you a cost-effective way to extend your learning of the Technique and is only available to participants of the UNICEF Workshop or a previous Intro Workshop.

Further Information and Booking: www.hilaryking.net

Book Workshop & Course Together ~ £75

(£25 still goes to UNICEF)

Playing(Less)Hurt: Free Seminar

Monday, August 23rd, 2010

Want free advice on injury prevention and hearing protection from a world class musician?

Janet Horvath, the associate principal cello of the Minnesota Orchestra, author of  the book, Playing (Less) Hurt -An Injury Prevention Guide for Musicians, and long time member of the Performing Arts Medical Association, contacted BAPAM to tell us about her imminent Playing(Less)Hurt seminar.

The Minnesota Orchestra is performing at the Proms and while in London, Janet will be giving one of her seminars on injury prevention and hearing protection.

The workshop will take place at  the Westminster Reference Library of the Performing Arts on Friday August 27th, 2:00 to 4:00 pm, 35 St Martins St. London WC2H 7HP (Leicester Square Tube).
The seminar is pertinent to all instrumentalists in any genre and at any level, and the teachers and health professionals who work with them.

The talk is free and open to the public. For more information please see Janet Horvath’s website.

Ten Top Health Tips for Musicians

Tuesday, August 10th, 2010

Want to know how to help keep yourself healthy whether studying, rehearsing for a gig, or performing?

These tips are taken from the BAPAM factsheet, Don’t cramp your style – Warm-up exercises for performers, also available as an A2 poster or pocket-sized concertina version. To order printed versions have a look at our Health Resources page, where you’ll also find a lot more useful information for all performing artists. All our factsheets are produced with financial support from the Musicians Benevolent Fund.

Ten Top Health Tips for Musicians:

1. Don’t suddenly increase the time you spend rehearsing or studying (maximum 10-minute increase per day). You should increase by ten minutes each day for three days and keep at this level for the rest of the week.

2. Leave more difficult passages and pieces for towards the middle of your practice session, when your muscles are ready and not yet tired out. Increase the speed, difficulty and intensity of the pieces you are playing as you progress though the session.

3. Don’t become obsessed with repeating a passage or gesture that you can’t quite get right. Look for alternatives.

4. Take a five-minute break every half-hour.

5. If your muscles feel overloaded, do some stretching.

6. Do as much as you can to optimise your working environment: think about lighting, noise levels, temperature. Make sure your daily routine – eating, sleeping, exercise – works for you.

7. Don’t play at the time of day when you’re most tired.

8. NEVER play if you are experiencing pain. If you feel any pain, stop playing and do some gentle stretching. If such pain does not go away or if it reappears in subsequent sessions, see a specialist in Performing Arts Medicine.

9. Do exercises to stretch your muscles before playing and whenever you feel like or need it.

10. Make sure you find time for warming up and stretching. You know you will enjoy it and it will make you feel great!

Performing Arts Medicine and Focal Hand Dystonia: Articles by Katherine Butler

Monday, August 9th, 2010

Katherine Butler is a Clinical Specialist in Hand Therapy and a trained musician. She has worked with many performing artists with upper limb problems.

Articles authored or co-authored by Katherine Butler can be found on the publications page of her practice website and include, Injury Prevention for Musicians and Focal Hand Dystonia Affecting Musicians (an area in which she is currently performing doctoral research with Dr Karin Rosenkranz).

Alexander Technique for Musicians

Monday, August 9th, 2010

The Alexander Technique is a ‘self-help’ technique that can help musicians reduce unnecessary tension, improve posture and playing technique, and alleviate pain.

Jane Gregory brought our attention to the expanded section for musicians on her website. Jane teaches Alexander Technique to students and staff at the Institute of Contemporary Music Performance. You’ll find two fascinating and useful articles (aimed at bass guitarists and drummers but applicable to all musicians), presenting easy, practical advice based on the Alexander Technique.

BAPAM’s Directory of Practitioners can help you find an Alexander Technique teacher in your area. Performing artists registered with BAPAM are eligible for reduced price sessions with many practitioners, including Jane Gregory.

Irish Registry

Thursday, July 1st, 2010

We’ve set up a mailing list for performing artists based in Ireland who’d like to receive quarterly emails with health tips and performing arts medicine information.

To sign up, please download this registration form and either print it out and return it by post or email it to Nóra Geraghty, whose contact details are on the form.

If you are an Ireland based performing artist with a work-related health problem, Dr Juliet Bressan, BAPAM’s doctor in Dublin, can advise you. Assessments are free for full and part time professional performers as well as students. To book an appointment please call us on 0044 (0)20 7404 8444. Click here for more information about BAPAM’s free assessment appointments.

BAPAM at The Larkin Hedge School

Wednesday, May 5th, 2010

Sanchita Farruque, who runs BAPAM’s health education service for students, professional performers and teachers, will be in Dublin at the 2nd annual Larkin Hedge School event, on Saturday June 12th 2010. She’ll be running through pre-performance warm-up sessions, and talking about healthy practise and performance. Sanchita will be available during the day to answer questions about all health issues affecting performers from RSI to stage fright.

The Larkin Hedge School is a celebration of music, song and poetry run by the Clé Club, a traditional music and singing club based in the Cois Life Bar, Liberty Hall, Dublin.

Larkin Hedge School programme 2010