Posts Tagged ‘Musicians’

Stage Fright and Well-being Survey

Tuesday, September 6th, 2011

Please note, this survey is now completed.

Danica Giles MBPsS (Graduate Member of the British Psychological Society) is investigating the effect of stage fright on the health and well-being of professional performing artists as part of her diploma thesis at the University of Tübingen, Germany.  If you are interested, take a look at the advert below.

Danica will share the results of this very interesting survey with BAPAM and the information will help our understanding of performers’ health. Participation is voluntary and anonymous. Details of the survey findings will be available through the BAPAM website

This independent research project has been checked and approved by BAPAM but we do not have a role in the funding, design or analysis of this work. We will not ‘own’ the data or project findings.


Interested in research on the well-being of performing artists?

Participate in this online survey and you can win £100!

Are you a performer and would like to know more about how you can improve your health & well-being through recovery? Then I invite you to participate in a study about stage fright and well-being that I am conducting for my diploma thesis in psychology. Just follow the link below to a questionnaire that takes about 20 minutes to complete. Your participation is completely anonymous and you can leave the questionnaire at any time. The study has been given a favourable ethical opinion by the University of Surrey Ethics Committee. You will also be given the option to enter a draw to win one prize of 100 Pounds by providing your email address at the end of the questionnaire. In a few weeks’ time you will be able to read the results with tips on how to recover more effectively from stress (via a link given to you at the end of the questionnaire)!

CLICK HERE to complete the questionairre

 

 

BAPAM Birmingham Training Day May 14th

Tuesday, March 22nd, 2011

Midlands Medicine, Music and Movement

UPDATE: The finalised programme for the day is now online. Click here to view/download it.

Liz Johnson would like some practitioners to bring in their instruments for her afternoon Soundbeam session, so if you play an instrument and it’s easy to carry, please do join in!

That BVSC venue that is hosting the day will direct everyone to our room on the day and please simply ask for BAPAM at reception.

To book your place at the next BAPAM Performing Arts Medicine Training Day please return this response form to Sanchita Farruque at the BAPAM office. The price is just £65 (£45 for students). BAPAM training days may be used as part of your CPD portfolio.

BAPAM’s Birmingham Training Day on Saturday 14th May runs from 9.30am to 5pm and will have three core strands:

  • The Conservatoire – focusing on student problems and training, rehab after injury etc
  • The CBSO – focusing on the orchestral musician
  • The Birmingham Royal Ballet- focusing on dance issues

Programme and speakers are being finalised by the Birmingham BAPAM team, made up of Dr Jonathan White and Karen O’Connor. We’ll be covering subjects like:

  • Performance Coaching, the Bach to Sport project at the Birmingham Conservatoire, and other student/tutor related issues
  • Nutrition & Fitness and the Female Athlete Triad
  • Case presentations of some unusual problems e.g. trumpet player with rare embouchure problem, amateur wind player with a Handelian condition, and a pop musician with a neurological event

The Training Day will take place at BVSC, The Centre for Voluntary Action in the Digbeth area of Birmingham.

More detailed information here: Birmingham Bites! Midlands Medicine, Music and Movement and check back for the full programme soon.

There is a CBSO Concert on Saturday night at Symphony Hall starting at 7pm (finishing around 9pm). Karen has negotiated a block of excellent seats in the Upper Circle of Symphony Hall for £14.50 each. But we need to know straight away if you want to book a ticket! Just give Sanchita a call on 020 7404 5888.

RUSSIAN CLASSICS

Andrew Litton  conductor Simon Trpceski piano

Prokofiev: War and Peace – Overture    6′
Rachmaninov: Piano Concerto No. 2   32′
Shostakovich: Symphony No. 10          46′

Grade-One-A-Thon Update!

Thursday, March 10th, 2011

Grade One Success. Passed with MERIT!

ear_plugs

Congratulations to flute virtuoso (Grade 1) and physiotherapist, Sarah Upjohn, and the 146 more Cambridge musicians who have so far raised over £46 000 for the Spinal Injuries Association. Still collecting……..

Follow the link for a right tuneless laugh courtesy of the Grade-One-A-Thon Orchestra and BBC Look East:

http://www.bbc.co.uk/go/em/fr/-/news/uk-england-cambridgeshire-12581343

It’s not too late to make a donation here: http://www.justgiving.com/sarah-upjohn

Well-being for Cellists

Friday, March 4th, 2011

Cello-Well-Small

Click on the  image for the event flyer.

The London Cello Society‘s Well-being for Cellists workshop takes place on Sunday 13th March 2011 at the Royal Academy of Music. Expert presenters,  Katherine Butler (Preventing Hand Injuries), Selma Gocken (Alexander Technique), Erika Klemperer (Psychodynamic Psychotherapy) and Felicity Vincent (Pilates Method) discuss:

How do we play our instrument in harmony with our design?

How can we take advantage of the wonderful natural coordination we possess as human beings?

How can we pass on to our students the knowledge that will prevent injuries?

What are the emotional challenges of our profession and how do they affect our well-being?

The event costs £50 or just £25 for students/concessions with a 25% discount for LCS members.

Click here for more information and to book your place.

Alexander Technique with Dorothea Magonet

Monday, February 14th, 2011

Dorethea Magonet, an Alexander Technique teacher on our Directory of Practitioners who works with many music students and performing artists, has just launched her new web site: www.dorotheamagonet.co.uk.

Dorothea offers free consultations and low fee lessons for performing artists who are BAPAM clients. To find out how to arrange this, register with us by calling the clinic on 020 7404 8444.

Foundations for Excellence Conference 2011

Monday, January 24th, 2011

F4E-Conference-2011-Flyer-s

Bookings are now open for the Foundations for Excellence Conference 2011 which takes place Monday 28 February – Tuesday 1 March at Dartington Hall, Totnes, Devon TQ9 6DE.

Foundations for Excellence began as a Department for Children, Schools and Families’ Music and Dance Scheme conference in 2009 and now aims to provide practitioners, young musicians and dancers with access to current research, ideas, examples and good practice.

The 2011 conference gathers internationally recognised speakers (including Honorary Consultant Rheumatologist to BAPAM, Professor Rodney Grahame) to explore topics surrounding the nurturing and supporting of talented young dancers and musicians. Topics to be covered include:

Is Talent Innate or Trainable?
Ability or Image?
Developing and Supporting the Teacher
Matching Dreams with Reality
Lifestyle Strategies to Combat Performance Anxiety
Masterclass observation
Hypermobility
Training
Challenging Physiques
Teaching Young Voices Safely
Motivation and Goals
Supporting the Teacher’s Voice

Here’s the official flyer (or click on the image above): F4E Conference 2011

For further information and to book your place please visit the Foundations for Excellence website.

Raising Money for the Spinal Injuries Association – Sarah Upjohn

Monday, January 10th, 2011

Sarah Upjohn is raising money for the Spinal Injuries Association. She is one of 147 Cambridge musicians who started learning a completely new instrument on Jan 3rd. She explains:

On January 3rd I am taking up the flute, and on Feb 27th (eight short weeks later) I am sitting the Grade 1 exam. This ‘grade-one-a-thon’ is being organised by musicians around Cambridge, and we are raising money for the Spinal Injuries Association…….a cause close to our hearts, and in the front of our minds, as one of our local french horn players sustained a spinal cord injury earlier this year while doing a spot of DIY.

Sarah is the physiotherapist at the Purcell School, and she is also on the BAPAM directory, treating performing artists in the Cambridge area.

On February 27th the combined talents of the 147 musicians will be unleashed on an unprepared public in a Grade 1 orchestra concert: ‘Clueless in Concert’.

Donations to support this great cause can be made here: http://www.justgiving.com/sarah-upjohn

Autogenic Training – an Introduction for Performing Artists

Monday, September 13th, 2010

Autogenic Training (also called Autogenic Therapy) is a relaxation technique that can help improve stress management and increase wellbeing. Individuals learn the technique over a course of (usually 8 – 10) classes. It is a complementary therapy that is sometimes used in conjunction with conventional medical treatment for a variety of health problems, especially where stress is involved.

At our clinics, BAPAM doctors give medical advice to many performers with musculoskeletal injuries (temporarily) preventing their ability to pursue their careers/education. In addition to the physical problem, there is a psychological impact. Being injured is stressful! AT is one way of reducing the stress and tension which can exacerbate the effects of physical injury.

AT can be particularly useful for all forms of anxiety, including performance anxiety (stage fright), and panic attacks. The relaxed state induced by autogenic exercises restores regular heartbeats, normal breathing patterns, and increases concentration clarity and alertness. People report feeling more confident and energised.

Tammy Mindell, an Autogenic Therapist listed on BAPAM’s directory of practitioners, says, ‘a semi-professional singer learnt AT for other stress related issues. As an unexpected bonus, she found her singing greatly improved. She became less anxious about good performance, allowing herself to be good enough. The results meant that rather than over breathing and pushing the sound, I could relax and allow and enjoy a much easier and better quality performance’.

In some cases, advanced autogenic techniques may be used as a form of psychotherapy.

Useful links:

The British Autogenic Society is the professional and regulatory body for Autogenic Therapists in the UK. Their web site contains a wealth of further information about autogenic training.

Autogenic Therapists on the BAPAM Directory of Practitioners:

Tammy Mindel: www.autogenictraininglondon.co.uk
Giovanna Reitano: www.musarteandmore.com
Catalina Botello: www.autogenic-therapy.net

If you are worried about a medical problem, including anxiety or another psychological problem, you should consult your GP. If you are a performing artist and the problem is work-related you may also seek advice from a BAPAM GP at one of our free clinics.

Alexander Technique with Hilary King

Friday, September 3rd, 2010

All performing artists can benefit from improving their posture, poise and wellbeing. Hilary King, an Alexander Technique teacher working with  actors, dancers and musicians has organised this introductory workshop and short  course, starting on 18th September:

Introductory Workshop and Short Course

In Aid of UNICEF Pakistan Flood Children’s Appeal

£25 Minimum ~ Workshop Fees will be Donated & Added to by Gift Aid

Saturday 18 September ~ 2.0pm – 4.30pm

Small Group max 6 ~ so it is essential to enrol in advance

As the group is small, you will be able to experience some individual hands-on work with an experienced teacher.

  • Experiential Games
  • Demonstrations and Discussion
  • Hands-on Work
  • Refreshments Organic / Fairtrade

You will be asked to lie on the floor and to take your shoes off.  Please wear loose trousers and comfortable clothing without hoodies.

Reduced rate 1:1 Follow-up Lesson is available to participants

http://www.hilaryking.net/alexander-technique/workshops/

Short Introductory Course ~ £60

Linked to the UNICEF Workshop, which could also form the first session of this

4 week Introductory Course:

Saturdays (18), 25 September, 2, 9 October ~ 2.0 – 4.0pm

A separate fee is required for the extra 3 sessions, which are not part of the fund-raising.

Book Workshop & Course Together ~ £75

(£25 still goes to UNICEF)

This course offers you a cost-effective way to extend your learning of the Technique and is only available to participants of the UNICEF Workshop or a previous Intro Workshop.

Further Information and Booking: www.hilaryking.net

Book Workshop & Course Together ~ £75

(£25 still goes to UNICEF)

Playing(Less)Hurt: Free Seminar

Monday, August 23rd, 2010

Want free advice on injury prevention and hearing protection from a world class musician?

Janet Horvath, the associate principal cello of the Minnesota Orchestra, author of  the book, Playing (Less) Hurt -An Injury Prevention Guide for Musicians, and long time member of the Performing Arts Medical Association, contacted BAPAM to tell us about her imminent Playing(Less)Hurt seminar.

The Minnesota Orchestra is performing at the Proms and while in London, Janet will be giving one of her seminars on injury prevention and hearing protection.

The workshop will take place at  the Westminster Reference Library of the Performing Arts on Friday August 27th, 2:00 to 4:00 pm, 35 St Martins St. London WC2H 7HP (Leicester Square Tube).
The seminar is pertinent to all instrumentalists in any genre and at any level, and the teachers and health professionals who work with them.

The talk is free and open to the public. For more information please see Janet Horvath’s website.