Posts Tagged ‘Osteopathy’

OPACA Study Day: Osteopathic Approach to the “Singing Voice”

Monday, September 4th, 2017

The Osteopathic Performing Arts Care Association (OPACA) present their second study day in Manchester on Sunday 15 October, focusing on Voice, and led by osteopath, singer and teacher, Ashley Staffiord.

To book online please visit: www.opaca.co.uk

OPACA aims to foster a uniquely Osteopathic perspective of treating performing artists, to encourage new ideas and offer mutual support. New members are welcome.

“A practical and experiential workshop for osteopaths with a special interest in the power of the voice. This full day’s programme will include practical work with bodybreath-voice relationship: exploration of the diaphragms and the relationship between primary and thoracic respiration and the many influences upon the functionality of the voice from head to toe. It will include a review of the anatomy and neurology of the vocal apparatus and demonstrations with singers. Participants will leave with a clear view of how to approach the voice of the patient osteopathically and with minimum trauma in the interventions”.

Osteopathic Performing Arts Care Association Study Day

Wednesday, March 29th, 2017

The Osteopathic Performing Arts Care Association (OPACA) are a group of osteopaths who have a special interest in the care of performers. Members include BAPAM registered osteopaths Michael Mehta, Karolin Krell, Nikki Ellis, David Propert, Alison Judah, Toby Pollard-Smith and Lazarus Nono.

Presented by dancer and choreographer, Russel Maliphant, and Osteopath, Andrew ferguson, the first OPACA Symposium and study day, The Dancer’s Body: Integrity and Fluidity, will be held on Saturday May 6th at the General Osteopathic Council in London.

Find out more here.

Research Published into Ballet Dancers’ Experiences of Injury and Osteopathy

Friday, February 24th, 2017

Osteopath, Toby Pollard-Smith, has published his research into Professional ballet dancers’ experience of injury and osteopathic treatment in the UK  in the January 2017 issue of the Journal of Bodywork and Movement Therapies. BAPAM helped recruit participants for the project, which Toby undertook while training to be an osteopath.

Toby’s previous career as a professional ballet dancer contributed to his interest and expertise in treating dance injuries, and we were recently pleased to welcome him to our Directory of Practitioners. Toby, who is also a keen trumpet player, treats dancers, musicians and other performing artists in Ascot and Marlow. Find Toby Pollard-Smith on the BAPAM Directory.

Jenefer Davys, Ostepathy, Pilates and Sports Massage

Tuesday, November 5th, 2013

We’d like to welcome Jenefer Davys, an osteopath with a background in movement and dance, to the BAPAM Directory of Practitioners, our list of practitioners experienced working with performers. Based in Shoreham-by-Sea, near Brighton, Jenefer also provides Pilates tuition and sports massage.

Find out more about our Directory of Practitioners

Research: Professional Ballet Dancers’ Attitudes to Osteopathy

Wednesday, July 31st, 2013

Are you, or have you been a professional ballet dancer?

Have you been treated by an osteopath?

If so, would you be happy to be interviewed about it?

Toby Smith is a former professional ballet dancer, now training to be an osteopath, who is undertaking a research project exploring the attitudes and opinions of professional ballet dancers towards osteopathy.

Toby is currently recruiting participants for the project. Interviews will last 30-45 minutes, and take place at a time and place convenient to you.

If you are interested in taking part, please contact Toby directly by email: toby.smith@bso.ac.uk

This project has been approved by the Research Ethics Committee of the The British School of Osteopathy.

The results of the project will be shared with BAPAM, and we’ll report back with a summary in the future.

BAPAM Journal Relaunch

Monday, June 24th, 2013

After nearly eight years, we are happy to announce the re-introduction of The Journal of The British Association for Performing Arts Medicine, covering a broad spectrum of topics related to clinical research, education and healthy practice within performing arts medicine.

The new Journal is a free online publication. You can download it in pdf format here: The BAPAM Journal Issue 1 June 2013. We recommend right-clicking and saving the file to your computer.

We encourage our readers to assist us by contributing articles, letters and email responses. Our contact details and further information can be found on the contents page of the Journal. We know that there are many of you working in, studying or fascinated by this specialism, and we hope to open a new channel of communication.

Osteopathy in the Arts

Wednesday, April 24th, 2013

How can osteopaths match performers’ creativity and keep them on stage where they belong?

Jennie Morton‘s article Osteopathy in the Arts appears in the April/May issue of The Osteopath Magazine.

Read the article here

 

Back by Popular Demand – An Introduction to Treating the Performing Artist

Wednesday, June 6th, 2012

Jennie Morton,osteopath and lecturer & module leader for the UCL/BAPAM Performing Arts Medicine MSc, is repeating her one-day course, An Introduction To Treating The Performing Artist, on Sunday July 1st at the British School of Osteopathy in London.

AN INTRODUCTION TO TREATING THE PERFORMING ARTIST
a one-day CPD course for musculoskeletal practitioners

Sunday July 1st 2012

10.00am – 5.00pm

at

THE BRITISH SCHOOL OF OSTEOPATHY – Berthon Room

275, Borough High Street. London. SE1 1JE

Common injuries in Dancers, Instrumental Musicians, Vocalists & Actors

Assessment, treatment & management approaches for performers

The postural, ergonomic & technique issues faced by performing artists

The environmental challenges for performing artists

7 Hours CPD

Course Fee £85 (Students £70)

Course Tutor:

Jennie Morton BSc (Hons) Osteopathy

UCL Honorary Lecturer & Module Leader for the MSc in Performing Arts Medicine, UCL Division of Surgery & Interventional Science

Osteopath & Lecturer for The British Association for Performing Arts Medicine

Speaker for Dance UK: Healthier Dancer Programme

For further info or to request a booking form, please email jennie@jenniemorton.co.uk

An Introduction to Treating The Performing Artist

Wednesday, March 28th, 2012

Jennie Morton, osteopath and lecturer & module leader for the UCL/BAPAM Performing Arts Medicine MSc, presents a one-day CPD course for musculoskeletal practitioners:

AN INTRODUCTION TO TREATING THE PERFORMING ARTIST

Sunday April 15th 2012

10.00am – 5.00pm

at

THE BRITISH SCHOOL OF OSTEOPATHY – Berthon Room

275, Borough High Street. London. SE1 1JE

The day will include:

Common injuries in Dancers, Instrumental Musicians, Vocalists & Actors

Assessment, treatment & management approaches for performers

The postural, ergonomic & technique issues faced by performing artists

The environmental challenges for performing artists

7 Hours CPD

Course Fee £85 (Students £70)

Course Tutor:

Jennie Morton BSc (Hons) Osteopathy

UCL Honorary Lecturer & Module Leader for the MSc in Performing Arts Medicine, UCL Division of Surgery & Interventional Science

Osteopath & Lecturer for The British Association for Performing Arts Medicine

Speaker for Dance UK: Healthier Dancer Programme

For further info or to request a booking form, please email jennie@jenniemorton.co.uk