Posts Tagged ‘Performing Arts Medicine’

Guitarists Research

Tuesday, February 21st, 2012

Guitarists, are you interested in taking part in research into guitar support tools and the curvature of your spine while playing?

Postgraduate UCL student, Efthalia Paleokastriti, is looking for classical and acoustic guitarists for her study.

Efthalia believes that guitarists taking part will benefit from the insights gained: “You will have the opportunity to test your guitar playing using different support tools and you may decide which is better for you. Moreover, you may be more informed about the “right” posture of the body while holding the guitar and about ergonomic playing”.

Efthalia explains the project and how you can get involved:

Dear Guitarist,

I am investigating functional scoliosis in guitarists using different guitar support tools.

This involves a temporary change of spinal curvature caused by a provocative factor – in this case, playing the guitar.

I am looking for guitarists to participate in the research project. Specifically, classical or acoustic guitarists (who use a footstool or ergo play guitar support equipment) and who are professionals or experienced guitar players (3 years or more).

The research includes:

  1. answering an anonymous questionnaire (questions about guitar playing habits/pain occurrence/use of guitar support tools).
  2. arrangement of a meeting in which we will take photos of your back while you hold the guitar and use guitar tools.

Participating in this research will be beneficial for you because you will learn more about ergonomic playing and you will try different guitar support equipment.

Participation is voluntary and you can leave the research at any time. If you agree to participate in the study, you will be given a detailed information sheet and a consent form. If you have any queries about our project do not hesitate to contact me.

We are looking forward to hearing from you.

Please read the Information Sheet which includes a detailed description of the project.

And please complete and return the Anonymous Questionnaire – you can answer it even if you decide not to participate in the measurement part of the research.

Contact details: EFTHALIA PALAIOKASTRITI. Email: thaliapaleo@gmail.com

Note: This research project is not being conducted by BAPAM. The project has official ethics approval from UCL (University College of London) and is covered by UCL’s  data protection protocol.

BAPAM Newsletter February 2012

Wednesday, February 1st, 2012

Our current Newsletter is available to download in pdf format here:

BAPAM Newsletter February 2012

You can subscribe to the Newsletter by putting your email address in the box to the right of this page.

Weak, Wobbly or Working?

Monday, January 30th, 2012

The next British Voice Association study day, at the Royal Northern College of Music in Manchester, focuses on the effects of ageing on the voice and the vocal problems associated with ageing. Surgical, voice therapy and singing solutions will be discussed.

Follow the link for detailed information and to book your place:

“Weak, Wobbly or Working?” The Multidisciplinary Management of the Ageing Voice

Sunday 25th March, 2012 11.30am – 5.15pm

Speakers include:

•Sue Anderson (Singing Teacher and Researcher)

•Phil Jones (Consultant Otolaryngologist)

•Liz McNaughton (Specialist in the Singing and Speaking Voice)

•Jane Shaw (Voice Specialist Speech and Language Therapist)

•Mark Watson (Consultant Otolaryngologist)

Patrice Berque wins Movement Research Award

Wednesday, January 4th, 2012

Physiotherapist and former professional horn player, Patrice Berque, has been awarded the Susanne Klein-Vogelbach Special Award 2011 for his paper, A combination of constraint-induced therapy and motor control retraining and motor control retraining in the treatment of focal hand dystonia in musicians (Medical Problems of Performing Artists, vol.25:149-161).

The prize is awarded to researchers in neuroscience, orthopaedics, and anatomy whose work is oriented to a better understanding of the underlying principles of human movement and its rehabilitation, with the Special Award being granted to excellent papers from the field of physiotherapy. Movement in this context is not restricted to locomotion, rather it covers all kinds of muscular-induced human movement including mime and music. This is only the third time the Special Award has been given (it was previously won in 2004 and 2010).

Medical practitioners involved in research may be interested in applying for the award in future years. There are 2 prizes: the Main Award, endowed with (Swiss Francs) CHF 10,000 and the Special Award, endowed with CHF 2,000. The submission deadline for this year’s prize is 30 September 2012. Click here for more detailed information (Word doc).

Research Report 2009 – 2011

Tuesday, November 15th, 2011

BAPAM’s mission is to achieve a healthy performance environment for all performing artists through high quality and effective specialist health care, health promotion strategies, and professional development and training in Performing Arts Medicine for health care practitioners.

BAPAM Trustee, Dr Deborah Charnock, has been responsible for helping BAPAM develop a programme of evaluation and research to underpin this mission.

This report summarises evaluation and research activities and outcomes at BAPAM since the establishment of the Service Evaluation and Research Advisory Group (SERAG). The outcomes have informed several recommendations relating to governance, operations and future research which are outlined in the report. A draft research work programme for 2011-13 is also included.

Download the report:

Research Report 2009-2011

Requests for further information relating to this report should be directed to Dr Deborah Charnock via deborah@bapam.org.uk

BAPAM November Training Day Programme

Tuesday, November 15th, 2011

Our November 19th Training Event focusses on Long Term Health Issues Affecting Performing Artists with presentations covering:

Sensory Motor Release (GP/Physio)

Musculoskeletal Rehabilitation of Disabled, Elderly and Multi-talented Performers (Rheumatologist)

Chronic Pain (Rheumatologist)

Ageing and Performance Q&A with Gabrielle Hamilton (actor), Fergus Early (dancer) and Catherine Butler Smith (musician)

Plus, performing arts medicine practitioners can learn from and with professional musicians in two practical sessions with violinist (and Alexander Technique teacher), Ron Colyer, and clarinettist, Andrew Roberts.

Click here to download the programme

Please note this event is now fully booked.

Green Candle Dance Company ‘Falling About’

Attendees should come to the main reception of:

Franklin-Wilkins Building
Stamford Street
London
SE1 9NH

Venue information: http://www.kcl.ac.uk/about/campuses/waterloo.html


Stage Fright and Well-being Survey

Tuesday, September 6th, 2011

Please note, this survey is now completed.

Danica Giles MBPsS (Graduate Member of the British Psychological Society) is investigating the effect of stage fright on the health and well-being of professional performing artists as part of her diploma thesis at the University of Tübingen, Germany.  If you are interested, take a look at the advert below.

Danica will share the results of this very interesting survey with BAPAM and the information will help our understanding of performers’ health. Participation is voluntary and anonymous. Details of the survey findings will be available through the BAPAM website

This independent research project has been checked and approved by BAPAM but we do not have a role in the funding, design or analysis of this work. We will not ‘own’ the data or project findings.


Interested in research on the well-being of performing artists?

Participate in this online survey and you can win £100!

Are you a performer and would like to know more about how you can improve your health & well-being through recovery? Then I invite you to participate in a study about stage fright and well-being that I am conducting for my diploma thesis in psychology. Just follow the link below to a questionnaire that takes about 20 minutes to complete. Your participation is completely anonymous and you can leave the questionnaire at any time. The study has been given a favourable ethical opinion by the University of Surrey Ethics Committee. You will also be given the option to enter a draw to win one prize of 100 Pounds by providing your email address at the end of the questionnaire. In a few weeks’ time you will be able to read the results with tips on how to recover more effectively from stress (via a link given to you at the end of the questionnaire)!

CLICK HERE to complete the questionairre

 

 

British Voice Association Events

Tuesday, July 12th, 2011

On Friday 18th November the BVA host a Voice Clinics Forum (click link for details and application form) at University Hospital of South Manchester.

Speakers include Professor Paul Carding, Mr John Rubin and Mr Julian McGlashan, and topics to be covered include meeting the challenges faced in voice clinics and new technologies such as high speed, high definition and 3D imaging.

BAPAM’s next Training Day for Performing Arts Medicine practitioners is scheduled in London the next day, Saturday 19th November, and covers areas relating to woodwind and lower strings players, disability rehabilitation, chronic pain, lifestyle and injury prevention. The full programme is to be announced.

In the nearer future, the BVA have organised an Interactive Rock & Pop Day for singers, teachers and voice therapists. It takes place on Sunday 25th September in Chiswick, London. Click here for more details and an application form.

MSc / Diploma in Performing Arts Medicine

Tuesday, May 3rd, 2011

The British Association for Performing Arts Medicine is the main inspiration and developer of the MSc / Diploma in Performing Arts Medicine to be delivered by University College London from September 2011.  Currently in our 25th year, we have been at the forefront of this specialism, both in the UK and internationally. Along with our partner universities, we have convened many of the most eminent practitioners and researchers in the field to teach and supervise this course.

MSc / Diploma in Performing Arts Medicine

at

University College London

From September 2011

in conjunction with

British Association for Performing Arts Medicine

The Royal College of Music

Trinity-Laban Conservatoire of Music and Dance

Do you work with elite or recreational dancers, actors, musicians or vocalists and want to learn more about performing arts injury prevention and management?

Do you care for individuals with musculoskeletal conditions that limit their activity?

Do you want to understand more about the links between health, performance and physical activity?

Do you want to know about the pharmacology prescribed and its effects on performing artists?

Do you need to understand the psychology of performance and current management strategies?

Do you want to be able to prescribe a range of rehabilitation exercises for a range of conditions?

If you answered ‘yes’ to these questions, then this is the programme for you!

This programme will provide specialised training in Performing Arts Medicine to clinicians interested or already involved in treating this very special subset encompassing instrumental musicians, singers, dancers, actors and all performing artists. It will equip clinicians with specialised knowledge and provide a baseline qualification which may eventually become a minimum requirement for health professionals working in this field.  It is also intended to be a vehicle for stimulating Performing Arts Medicine research.

The programme is designed for clinicians from many backgrounds, including, but not limited to General Practitioners, Physiotherapists, Osteopaths, Chiropractors, Hand therapists, Sports and Exercise Physicians, Rheumatologists, Orthopaedic Surgeons, Specialists in Psychotherapeutic Treatments.

The course ranges widely across musculoskeletal & neuromuscular injury, ergonomics, focal dystonias, differential diagnoses, performance psychology, drugs and self medication and assessment and rehabilitation of performance related injury. Alongside detailed clinical teaching and method there will be practical content relating to the performing arts industry,  law, research, dance and voice science and a guide to NHS and other clinics to which patient referrals should be made.

Click here for more details: MSc Diploma in Performing Arts Medicine – Further Information

Here is the UCL course description: http://www.ucl.ac.uk/surgicalscience/courses/msc_performing_arts_medicine/msc_arts_medicine_modules

Contact Information:

BAPAM: Development Director for Performing Arts Medicine: Ian MacDonald +44 (0)20 7404 8444 ian.macdonald@bapam.org.uk

UCL: Programme Administrator: Mark Armstrong +44 (0)20 7472 6220 mark.armstrong02@ucl.ac.uk

BAPAM logo for websites no bleed

BAPAM Birmingham Training Day May 14th

Tuesday, March 22nd, 2011

Midlands Medicine, Music and Movement

UPDATE: The finalised programme for the day is now online. Click here to view/download it.

Liz Johnson would like some practitioners to bring in their instruments for her afternoon Soundbeam session, so if you play an instrument and it’s easy to carry, please do join in!

That BVSC venue that is hosting the day will direct everyone to our room on the day and please simply ask for BAPAM at reception.

To book your place at the next BAPAM Performing Arts Medicine Training Day please return this response form to Sanchita Farruque at the BAPAM office. The price is just £65 (£45 for students). BAPAM training days may be used as part of your CPD portfolio.

BAPAM’s Birmingham Training Day on Saturday 14th May runs from 9.30am to 5pm and will have three core strands:

  • The Conservatoire – focusing on student problems and training, rehab after injury etc
  • The CBSO – focusing on the orchestral musician
  • The Birmingham Royal Ballet- focusing on dance issues

Programme and speakers are being finalised by the Birmingham BAPAM team, made up of Dr Jonathan White and Karen O’Connor. We’ll be covering subjects like:

  • Performance Coaching, the Bach to Sport project at the Birmingham Conservatoire, and other student/tutor related issues
  • Nutrition & Fitness and the Female Athlete Triad
  • Case presentations of some unusual problems e.g. trumpet player with rare embouchure problem, amateur wind player with a Handelian condition, and a pop musician with a neurological event

The Training Day will take place at BVSC, The Centre for Voluntary Action in the Digbeth area of Birmingham.

More detailed information here: Birmingham Bites! Midlands Medicine, Music and Movement and check back for the full programme soon.

There is a CBSO Concert on Saturday night at Symphony Hall starting at 7pm (finishing around 9pm). Karen has negotiated a block of excellent seats in the Upper Circle of Symphony Hall for £14.50 each. But we need to know straight away if you want to book a ticket! Just give Sanchita a call on 020 7404 5888.

RUSSIAN CLASSICS

Andrew Litton  conductor Simon Trpceski piano

Prokofiev: War and Peace – Overture    6′
Rachmaninov: Piano Concerto No. 2   32′
Shostakovich: Symphony No. 10          46′