Posts Tagged ‘Simulation’

Foundations for Excellence Conference 2015

Thursday, September 17th, 2015

Meeting the Challenges of Excellence in Music and Dance

Mon 2 Nov, 10.00h-19.30h

Trinity Laban Conservatoire of Music and Dance

£75 including lunch / Limited student offer £30

Foundations for Excellence nurtures and supports talented young dancers, singers and musicians by sharing research, resources and best practice. Their next biennial conference aims to challenge existing pedagogical practices and propose innovative methods of nurturing excellence among young dancers and musicians.

Presentations, provocations, lectures and breakout sessions on Models of Teaching in Music and Dance, Formalising the Informal, Stress and Anxiety, and Self-Awareness are to be followed in the evening by dance and music performances and a reception.

Professor Roger Kneebone will make the Keynote address (attendees at BAPAM’s October 2014 Training Day will remember his fascinating presentation on simulation and education). Other speakers include Dr Terry Clark, Dario Cortese, Antony Dowson, Prof Jane Ginsborg, Dr Naomi Lefebvre Sell, Naomi Norton (BAPAM Student Advocate Scheme Manager), Dr Emma Redding, DJ Renegade, Penny Stirling, Paul Wilson and Dr Charlotte Woodcock.

Spaces are limited and advance booking is essential. The booking deadline is Fri 23 Oct 2015. For more information including programme details and contacts, click here.

BOOKING NOW OPEN via the Trinity Laban eshop

 

BAPAM Training Day ‘Performance Matters: Interdisciplinary Perspectives on Performers’ Practice, Health and Wellbeing’

Thursday, October 9th, 2014

SUNDAY 16th November, London

What is music performance?

The Royal College of Music will be our hosts for a day of discussion and exploratory sessions investigating many different aspects of performance.

Book your ticket here: https://bapamtraining.eventbrite.co.uk

Performance is commonly explored within a specific domain, such as music, dance, theatre or sport. Although increasingly researched and theorised by academics as an overarching phenomenon, the findings of such research are not always embraced by the experts whose domains are studied. In this BAPAM training day, we examine what performance means across apparently unrelated contexts in order to consider how insights from one domain illuminate practice in another. We draw on personal experience of the fields of surgery (Roger Kneebone) and music (Aaron Williamon), selected from numerous possible examples, in order to highlight similarities and differences between areas of practice which at first sight seem remote. On closer inspection, each can be seen as an embodied practice where much that is important lies beyond the reach of words and must be directly experienced to be apprehended. We then explore the implications of embodied practice for the health and wellbeing of performers. Here, we focus specifically on musical performance, discussing both the possibilities that embodied practice affords but also the range of challenges it presents in educational and professional contexts. Throughout, we highlight recent advances in simulation science as ways of understanding embodied practice better and facilitating more effective approaches to developing performance skills.

This event is part of a regular series of training days provided by the British Association for Performing Arts Medicine (BAPAM) for health professionals, researchers and practitioners interested in performer healthcare.

The day will be led by Aaron Williamon, Professor of Performance Science at the Royal College of Music (RCM) and  Roger Kneebone, Professor of Surgical Education at Imperial College London, and includes a demonstration of the Performance Simulator at the RCM Centre for Performance Science.

Click here to download the full schedule for the day.

Lunch is included in the ticket price.

Cancellations prior to 16 October will be refunded.

Book your ticket here: https://bapamtraining.eventbrite.co.uk