Posts Tagged ‘Courses / Training’

Foundations for Excellence Conference 2011

Monday, January 24th, 2011

F4E-Conference-2011-Flyer-s

Bookings are now open for the Foundations for Excellence Conference 2011 which takes place Monday 28 February – Tuesday 1 March at Dartington Hall, Totnes, Devon TQ9 6DE.

Foundations for Excellence began as a Department for Children, Schools and Families’ Music and Dance Scheme conference in 2009 and now aims to provide practitioners, young musicians and dancers with access to current research, ideas, examples and good practice.

The 2011 conference gathers internationally recognised speakers (including Honorary Consultant Rheumatologist to BAPAM, Professor Rodney Grahame) to explore topics surrounding the nurturing and supporting of talented young dancers and musicians. Topics to be covered include:

Is Talent Innate or Trainable?
Ability or Image?
Developing and Supporting the Teacher
Matching Dreams with Reality
Lifestyle Strategies to Combat Performance Anxiety
Masterclass observation
Hypermobility
Training
Challenging Physiques
Teaching Young Voices Safely
Motivation and Goals
Supporting the Teacher’s Voice

Here’s the official flyer (or click on the image above): F4E Conference 2011

For further information and to book your place please visit the Foundations for Excellence website.

And not waving but drowning? November 2010 BAPAM Training Day

Tuesday, October 5th, 2010

trumpet_for_webUpper limb and breathing issues for performers.

Take a look at the Draft schedule for our November 13th 2010 Training Day (click link). The event takes place at King’s College, London, and features:

French horn-playing, flautist, ergonomist and neuro-anatomist, Dr. Alan Watson, on structures of breath control and injury prevention for musicians and vocalists.

Alexander Technique teacher and trombonist, Tom Clough considers breath control in a practical session with professional brass player, Nick Wright.

Voice Coach, Ian MacDonald, on voice problems of singers and other professional voice users.

Consultant Rheumatologist, Professor Howard Bird, and Orthopaedic Hand Surgeon, Mr Ian Winspur, share their wealth of knowledge about upper limb injuries and non-specific arm pain in musicians. Later on, Ian Winspur will run a session focusing specifically on musicians’ hand injuries.

The day concludes with workshops focusing on percussion and we’ll be looking at playing technique as well as common problems. Hand Therapists, Joan Warrington and Katherine Butler, will look at the practical aspects of examining the hand.

This event costs £65 (£45 for students). To book your place please contact clare@bapam.org.uk and feel free to call us on 020 7404 5888 if you would like more information.

BAPAM training days may be used as part of your CPD portfolio.

More information about our training events can be found on the Training and Professional Development section of our website.

One Day Singing Workshops in London

Friday, September 3rd, 2010

These one day performance workshops for singers at both good amateur and professional level, who wish to improve their existing vocal and performance skills, provide a stimulating and creative environment in which to explore solo and group work. Highly Recommended!

Ian MacDonald is a singer and specialist voice coach for BAPAM.

VoiceSkills; an Ian MacDonald and Sef Hill collaboration.

See website for full details and how to book: www.voiceskills.org.uk

The Classical Voice

The Lady Chapel, St Peter’s Church, Kennington Lane SE11 5HY – 0790 4691850

10am – 5pm, Saturday, 18th September 2010 – Booking NOW!

10am – 5pm, Saturday, 15th January 2011

10am – 5pm, Saturday, 16th April 2011

The Musical Theatre Voice

The Concert Artistes’ Association, 20 Bedford Street, London WC2E 9HP – 0790 469 1850

10am – 5pm, Sunday, 10th October 2010 – Booking NOW!

10am – 5pm, Sunday, 23rd January 2011

10am – 5pm, Sunday, 10th April 2011

Alexander Technique with Hilary King

Friday, September 3rd, 2010

All performing artists can benefit from improving their posture, poise and wellbeing. Hilary King, an Alexander Technique teacher working with  actors, dancers and musicians has organised this introductory workshop and short  course, starting on 18th September:

Introductory Workshop and Short Course

In Aid of UNICEF Pakistan Flood Children’s Appeal

£25 Minimum ~ Workshop Fees will be Donated & Added to by Gift Aid

Saturday 18 September ~ 2.0pm – 4.30pm

Small Group max 6 ~ so it is essential to enrol in advance

As the group is small, you will be able to experience some individual hands-on work with an experienced teacher.

  • Experiential Games
  • Demonstrations and Discussion
  • Hands-on Work
  • Refreshments Organic / Fairtrade

You will be asked to lie on the floor and to take your shoes off.  Please wear loose trousers and comfortable clothing without hoodies.

Reduced rate 1:1 Follow-up Lesson is available to participants

http://www.hilaryking.net/alexander-technique/workshops/

Short Introductory Course ~ £60

Linked to the UNICEF Workshop, which could also form the first session of this

4 week Introductory Course:

Saturdays (18), 25 September, 2, 9 October ~ 2.0 – 4.0pm

A separate fee is required for the extra 3 sessions, which are not part of the fund-raising.

Book Workshop & Course Together ~ £75

(£25 still goes to UNICEF)

This course offers you a cost-effective way to extend your learning of the Technique and is only available to participants of the UNICEF Workshop or a previous Intro Workshop.

Further Information and Booking: www.hilaryking.net

Book Workshop & Course Together ~ £75

(£25 still goes to UNICEF)

Playing(Less)Hurt: Free Seminar

Monday, August 23rd, 2010

Want free advice on injury prevention and hearing protection from a world class musician?

Janet Horvath, the associate principal cello of the Minnesota Orchestra, author of  the book, Playing (Less) Hurt -An Injury Prevention Guide for Musicians, and long time member of the Performing Arts Medical Association, contacted BAPAM to tell us about her imminent Playing(Less)Hurt seminar.

The Minnesota Orchestra is performing at the Proms and while in London, Janet will be giving one of her seminars on injury prevention and hearing protection.

The workshop will take place at  the Westminster Reference Library of the Performing Arts on Friday August 27th, 2:00 to 4:00 pm, 35 St Martins St. London WC2H 7HP (Leicester Square Tube).
The seminar is pertinent to all instrumentalists in any genre and at any level, and the teachers and health professionals who work with them.

The talk is free and open to the public. For more information please see Janet Horvath’s website.

International Symposium on Performance Science: Call For Papers

Thursday, August 19th, 2010

CALL FOR PAPERS

ISPS 2011
Models of Performance

24 | 27 August 2011
Toronto | Canada

www.performancescience.org

The next International Symposium on Performance Science will be hosted by the University of Toronto on 24-27 August 2011.

The ISPS 2011 theme, Models of Performance, is intended to encourage discussion and debate on issues ranging from ‘models’ of good practice (e.g. research into inspirational performers, teachers, or learners) to scientific ‘models’ of performance processes and products. Specific research topics, fields of study, and methodological approaches have been left open intentionally to encourage interdisciplinary exchange.

Submissions detailing original research are invited from across the performing arts, as well as the natural, social, and applied sciences. Those whose primary interests lie outside of the arts, but whose work nonetheless offers implications for the performing arts and/or for performing artists, are also encouraged to submit proposals.

KEY DATES

1 December 2010: Paper/poster abstract submission deadline
1 February 2011: Notification of submission decision
1 March 2011: End of early registration
15 April 2011: Deadline for papers for the ISPS proceedings
24 August 2011: Start of ISPS 2011

SUBMISSIONS

Submissions are invited for

- Spoken papers
- Poster presentations
- Symposia and workshops

Detailed instructions for submissions are available via the conference website: www.performancescience.org. Submissions should be made electronically to cps@rcm.ac.uk by 1 December 2010.

GRADUATE AWARD

The Scientific Committee is keen to encourage the attendance of students, as well as established researchers and practitioners. Therefore, the ISPS 2011 Graduate Award will be offered to one graduate student to present a keynote paper at the conference.

REVIEW PROCESS

Each submission will be reviewed anonymously by the Scientific Committee according to its originality, importance, clarity, and interdisciplinarity. Corresponding authors will be notified by email of the Committee’s decision by 1 February 2011.

CONFERENCE PUBLICATION

Accepted paper, poster, and symposium/workshop submissions will be published as 6-page papers in the Proceedings of ISPS 2011 (complete with ISBN), available in hardcopy at the conference and subsequently downloadable via the conference website. Details of the procedure and format for submitting published papers will be provided when authors receive notification of acceptance. Final papers for publication will be due on 15 April 2011.

REGISTRATION

Full and one-day registration options are available. Members of the following affiliated societies are eligible for a registration discount:

- European Association of Conservatoires (AEC)
- International Association for Dance Medicine and Science (IADMS)
- International Society for Music Education (ISME)
- Performing Arts Medicine Association (PAMA)
- Society for Music Perception and Cognition (SMPC)

Online registration will open on 1 December 2010.

For further information about the venue, submissions, graduate award, and registration, visit the conference website: www.performancescience.org.

The official language of the conference is English.

Sanchita’s Album Launch Photos

Wednesday, July 28th, 2010

Thanks to photographer, Sebastien Dehesdin for these shots from Sanchita Farruque’s ‘Life Drawings’ album launch party. Sanchita combines her singing career with being BAPAM’s Heath Promotion Officer, holding talks and workshops at colleges, venues, festivals and health-care training providers.

Sanchita Farruque singing at Cargo, London, 21 July 2010 - Band

Sanchita Farruque singing at Cargo, London, 21 July 2010 - Portrait2

Sanchita Farruque singing at Cargo, London, 21 July 2010 - Portrait1

Announcement of Diploma/MSc in Performing Arts Medicine

Thursday, May 13th, 2010

With financial help from PPL (the company that licenses use of sound recordings and videos), BAPAM is currently working with University College London (UCL) to set up a Diploma/MSc in Performing Arts Medicine. The academic programme, examinations and administration will be provided by UCL.  The course is designed for doctors, physiotherapists and allied medical professionals.

The Diploma course will consist of 120 credits in research methods, ethics, performance physiology, anatomy and psychology and modules in medicine related to instrumental musicians, dancers, singers and actors.  The MSc will involve a further 60 credits and a research project in one of the subspecialties of music, dance and voice – BAPAM and UCL are currently establishing relationships with collaborating institutions (such as the Royal College of Music) to help deliver the programme.

The course will be available full-time (one year for the diploma) or part-time (two years).  It will be competitively priced and we are actively working on an affordable costing.  The anticipated start date is September 2011.

This is an exciting development in a growing field, both in the UK and internationally.  It will be the only such medical course available in the UK and we hope it will enable us to consolidate and spread experience throughout the country commensurate to the current high (but ad hoc) standing of Performing Arts Medicine in Britain.

Further information and updates will be posted on this website as they become available.   If you wish to be advised as to progress, please register your possible interest by emailing admin@bapam.org.uk, entitling your email ‘PAM Expression of Interest’.

BAPAM May 8th Edinburgh Training Day Programme

Monday, April 19th, 2010

Click here for the BAPAM Edinburgh Training Day programme

The Show Must Go On

Doctors and Therapists get ready for the Edinburgh Festival 2010

The British Association of Performing Arts Medicine Invites ENT and Musculoskeletal Doctors and Therapists to a training event with a difference.

BAPAM provides performing artists with information on health and well-being. It offers information on those who help these performers, and helps performers find local appropriately trained clinicians. Whether a GP or ENT surgeon, osteopath or physiotherapist, singing or pilates teacher, this training event is for you. You can expect the speakers and performers to open your eyes to multidisciplinary team management with a difference. With the current fit note prompting us all to assess work related health problems with more finesse, this really is the CPD event to attend. ENT problems, pain, breathing difficulties…it is the bread and butter of general practice. Stop worrying about the obesity epidemic and help the Fat Lady sing!

Speakers include Dr Faith Gardner, BAPAM doctor at our Glasgow clinic, Kirsten Lord of the Edinburgh Physiotherapy Centre, Sara Watkin, GP and Osteopath, and Tom Harris, ENT Surgeon and Consultant to RADA.

The cost of the day is £65 for practitioners, £35 for students.

Click here for the booking form. Please complete and return to us by post with your payment.

If you have any queries please email clare@bapam.org.uk

Many thanks to Dr. Sara Watkin for putting together the programme and organising the day locally.

Diploma/MSc in Performing Arts Medicine

Monday, April 12th, 2010

The British Association for Performing Arts Medicine (BAPAM), with financial help from PPL, is currently working with University College London (UCL) to set up a Diploma/MSc in Performing Arts Medicine. The academic programme, examinations and administration will be provided by UCL.  The course is designed for doctors, physiotherapists and allied medical professionals.

The Diploma course will consist of 120 credits in research methods, ethics, performance physiology, anatomy and psychology and modules in medicine related to instrumental musicians, dancers, singers and actors.  The MSc will involve a further 60 credits and a research project in one of the subspecialties of music, dance and voice – BAPAM and UCL are currently establishing relationships with collaborating institutions (such as the Royal College of Music) to help deliver the programme.

The course will be available full-time (one year for the diploma) or part-time (two years). It will be competitively priced and we are actively working on an affordable costing.  The anticipated start date is September 2011.

This is an exciting development in a growing field, both in the UK and internationally.  It will be the only such medical course available in the UK and we hope it will enable us to consolidate and spread experience throughout the country commensurate to the current high (but ad hoc) standing of Performing Arts Medicine in Britain.

For further information, please email naomi@bapam.org.uk