Posts Tagged ‘Voice’

Healthy Performance Workshops at The Actors Centre

Thursday, September 28th, 2017

We’re pleased to announce a new series of healthy performance workshops in partnership with The Actors Centre, with funding support from Equity.

Members of The Actors Centre can book their place for the first two sessions now.

Look out for more workshops as the series continues through 2018.

Friday 10th November: Finding a Work-Life Balance in Changing Times 

Dr Carol Chapman
Counselling Psychologist and Performance Coach

This 3 hour interactive workshop looks at ways of establishing a viable work-life balance and managing time effectively in the context of irregular jobs and irregular working patterns. These can affect health and well-being and impact on family and social life. The workshop illustrates ways of managing the stress reactions these unpredictable patterns can bring, and shows how to facilitate resilience. Participants will be able to raise appropriate issues that affect them personally and options for coping will be described and discussed. Suggestions for taking ideas further will be made. Book here

Friday 8th December: Healthy Voice

Dr Jenevora Williams
Singing Teacher and Vocal Health Expert

All voice users suffer from ill health at some time. Find out how to minimise the vocal fatigue suffered as a result of overuse or misuse. You can also learn

about the effects of medications, environmental factors, hormones, ageing, and of course – stress.

Dr Jenevora Williams will begin with a brief summary of how the voice works, followed by a practical guide to understanding and managing your own voice use. Book here

OPACA Study Day: Osteopathic Approach to the “Singing Voice”

Monday, September 4th, 2017

The Osteopathic Performing Arts Care Association (OPACA) present their second study day in Manchester on Sunday 15 October, focusing on Voice, and led by osteopath, singer and teacher, Ashley Staffiord.

To book online please visit: www.opaca.co.uk

OPACA aims to foster a uniquely Osteopathic perspective of treating performing artists, to encourage new ideas and offer mutual support. New members are welcome.

“A practical and experiential workshop for osteopaths with a special interest in the power of the voice. This full day’s programme will include practical work with bodybreath-voice relationship: exploration of the diaphragms and the relationship between primary and thoracic respiration and the many influences upon the functionality of the voice from head to toe. It will include a review of the anatomy and neurology of the vocal apparatus and demonstrations with singers. Participants will leave with a clear view of how to approach the voice of the patient osteopathically and with minimum trauma in the interventions”.

BAPAM Training Day: The Professional Voice User in Trouble

Monday, September 4th, 2017

Our November 2017 Training Day brings a multidisciplinary focus to bear on vocal health issues affecting professional voice users. Presented in collaboration with voice care experts at the forefront of the field, this event is ideal for medical professionals and students, voice coaches, professional voice users, teachers, healthcare practitioners, and all those engaged in wellbeing in the creative arts, who want to develop specialist knowledge and skills. BAPAM Training Days are also a great opportunity for discussion, sharing insights with peers, making new connections and growing our performing arts medicine network.

Book your place here

Our timetable for the day will be confirmed shortly. Presentations include:

Mr Nick Gibbins, Laryngologist
The Surgeon’s Perspective

Nick Gibbins will take us through the types of vocal injuries and disorders that face professional performers including musculoskeletal issues, inflammatory problems, and organic lesions of the vocal folds. The laryngologist’s role in the multidisciplinary voice clinic will be explored including diagnosis and surgical intervention.

Tori Burnay, Voice Specialist Speech and Language Therapist
The Therapist’s Perspective

Tori Burnay will show us the therapist’s side of endoscopic examination including the muscular behaviour of the larynx and vocal tract in healthy and disordered speech. Muscle tension issues, vocal hygiene, workload management and potential therapy plans will be discussed.

Dr Carol Chapman, Counselling Psychologist and Performance Coach

Dr Jane Oakland, Music Psychologist and Singer
Psychological Perspectives

Examining the difference in presentation, conceptualisation and treatment between professional voice users who have a medical diagnosis and those for whom no diagnosis has emerged and whose problems appear to have a purely psychogenic origin. Discussing the psychological and social/career impact of having voice problems in these circumstances and at different stages during a performing career. Using illustrations from client work, suggesting what clinicians should look out for. Illustrating techniques for rehabilitation and coping.

Prof. Dane Chalfin, Vocal Rehabilitation Coach
The Singing Perspective

Dane Chalfin will guide us through the Vocal Rehabilitation Coach’s role in the interpretation of the laryngopharyngeal gestures in healthy and disordered singing in various styles. Muscle tension issues in the singing voice and rehabilitative pedagogy will be discussed. This will also include a live scoping session where Mr Nick Gibbins will perform nasendoscopy on Professor Chalfin live in front of the audience. We will be inviting attendees to submit requests for singing gestures they would like to see in situ.

Ed Blake, Physiotherapist
The Physiotherapist’s Perspective

Ed Blake presents on physiotherapy treatment for professional voice users suffering voice related symptoms.

International Conference on Performing Arts Medicine (ICPAM) 2018

Wednesday, July 26th, 2017

BAPAM is pleased to be taking part in the forthcoming ICPAM Conference, which will be held 29 – 31 March 2018 in the Hague. Initiated by the Hague Medical Centre and Dutch Performing Arts Medicine Association, the conference brings an international perspective to both music and dance medicine. Collaborators include ASPAH, BAPAM, CeiMArs, CND,  DGfMM, DHF, IADMS, Médecine des Arts, ÖGfMM, PAMA, NIDMS, SMM, tamed and UNISA.

Intending to share state of the art medical scientific knowledge on the topics of dance, music, voice, hearing and mind, the organisers now welcome abstracts for oral presentations as well as poster presentations.

Abstract deadline extended t0 December 1st, 2017 23:59 CET

You can find out more and submit an abstract for ICPAM 2018 here.

Registration for the conference will open soon.

Research: Vocal Health Awareness in Singing Students and Teachers

Thursday, February 16th, 2017

Dr Anneliese Sayes is a medical doctor and researcher at the Royal College of Music who is investigating the current knowledge levels of vocal anatomy, physiology and pathology in singing students (within the conservatoire and university systems) and singing teachers.

She is inviting participants to fill in a questionnaire (that should take around 10-15 minutes to complete). There is a separate questionnaire for students and teachers. Full information about the study, which has research ethics approval from Conservatoires UK, is also provided. The survey can be accessed online via the following links:

Vocal Awareness questionnaire for student singers

Vocal Awareness questionnaire for singing teachers

Bach Mass in B Minor at St John’s Smith Square to support BAPAM

Tuesday, March 15th, 2016

J.S. Bach Mass in B minor

London Handel Orchestra
Pegasus Choir

St John’s Smith Square, London
Monday, 13 June
7:30pm

BAPAM invites you to a special performance of J.S. Bach’s Mass in B Minor at St John’s Smith Square in London on Monday 13 June at 7:30pm. Discounted ticket prices are available to supporters of BAPAM, and income from these tickets will support our work.

Bach composed his Mass in B minor over a period of a quarter of a century, and it was not performed complete in his lifetime. Even today, the Mass remains one of the supreme challenges for choirs, soloists and orchestras—a many-faceted work that is grand, lyrical, intimate and ultimately transcendent.

We are excited to be associated with the performance on 13 June, which will be given by the London Handel Orchestra and Pegasus Choir, with a stellar roster of internationally acclaimed soloists— Julia Doyle (soprano), Renata Pokupic  (mezzo-soprano), Charles Daniels  (tenor) and Stephan Loges (bass), directed by Adrian Butterfield. The London Handel Orchestra’s performance of Bach’s St Matthew Passion at St John’s Smith Square in 2015, directed by Adrian Butterfield, was described by one reviewer as the most perfectly performed musical experience in many years (musicOMH). For the Mass in B Minor, Pegasus, one of London’s leading chamber choirs, join the same orchestra and director, with whom they are frequent collaborators.

The choir performed a benefit concert for BAPAM in 2014, and we are delighted that they have offered us the chance to be associated with the performance on 13 June.

Tickets for the concert are priced at £30, £24, £18 and £14, but a discount of 20% is available on all tickets purchased using the discount code ‘BAPAM‘. Proceeds from ticket sales booked using this code will go directly to BAPAM to support our work.

To book and receive the BAPAM discount, click here. In the Ticket Information box, click Book Now, select your seats, and once you have added seats to your basket enter the promotion code ‘BAPAM‘. The discount will then be applied to your order.

We hope you will join us for an evening of glorious music!

An Exploration of Transformational Breathing for Anxiety Management in Professional Voice Users

Friday, March 11th, 2016

Researcher: Dr Philippa Wheble  

Dr Philippa Wheble is a GP, violinist and singer who is studying for an MSc in Performing Arts Medicine at UCL. Her research investigates the effect of Transformational Breathing® (a diaphragmatic breathing technique) on anxiety, perfectionism and performance anxiety.

She is looking for professional singers to take part in her study. If you are interested you will need to be able to attend sessions in London.

Volunteers will be randomly assigned to either; a course of Transformational Breathing® sessions or to a Waiting List group who will be offered treatment at the end of the study.

Participants will be asked to complete questionnaires about anxiety, perfectionism and wellbeing and have blood pressure, heart rate and breathing tests done throughout the study.

All participants will leave the study with the ability to use this breathing technique independently and will receive the findings when the research is complete.

If you would like to know more please contact:

Dr Philippa Wheble
email: Philippa.Wheble.15@ucl.ac.uk

You will be given a detailed information sheet before confirming your participation.

This research has been approved by the UCL Research Ethics Committee.

All data will be collected and stored in accordance with the Data Protection Act 1998.

Event Report: BVA Rock & Pop Day, September 2015

Wednesday, September 30th, 2015

BAPAM Clinician, Dr Shareen Chua, reports from the British Voice Association (BVA) Interactive Rock & Pop Day, London, 13th September 2015. 

A quiet Sunday morning on Chiswick High Street – one man on his morning run, a dog with a tennis ball in its mouth and a woman driving an empty double decker bus. Through the entrance of a pub, empty tables, a smiling bartender, but beyond its courtyard, a large chattering crowd was audible. Vocal coaches, singers, songwriters, voice specialist Speech and Language Therapists, instrumentalists, voice rehabilitation specialists, voice researchers, performance coaches and consultant laryngologists, amongst all present at this event organised by the BVA. Also in attendance from BAPAM were Dr Frances Carter, Dr Miranda Godfrey & I.

At the start of the programme, Canadian singer songwriter, Selena Evangeline  took to stage to demonstrate the range and variety of vocal effects available to a solo live performer, in her case using vocal audio equipment by TC-Helicon.

Kim Chandler (vocal coach & lecturer) got our vocal cords going by getting us to attempt various vocal onsets, characterising them and offering suggestions on alternative ways of achieving particular sounds and reducing glottal stops.

Hearing loss associated with onstage noise was thereafter explored by John Rubin (Consultant ENT Surgeon, Royal National Throat, Nose and Ear Hospital). He spoke about various sound levels encountered within the music industry, covering a variety of sound monitors and hearing protection.

Two singers were subsequently brought on stage. In a live setting, Dane Chalfin, current President of the BVA, used song interpretation and emotion to offer them solutions that improved their technique and performance.

Tom Harris (Consultant Otolaryngologist) & Sara Harris (Speech and Language Therapist), no strangers to the realms of vocal health, engaged the audience in their talk about vocal nodules, with Sara Harris sharing several strategies and exercises that might be helpful in such an instance.

Applying the Primal Sound Model to an instantly familiar Pharrell Williams number, Craig Lees got everyone on our feet creating various vocal sounds, forming a Pop Choral group thus concluding the day’s programme – on a high note!

Although the BVA holds their Interactive Rock & Pop Day every two years, their Voice Clinics Forum will take place on Friday, 23 October 2015 at St Thomas’ Hospital, London SE1. The October event will cover topics such as the role of Voice Clinics in the NHS, training in laryngology for ENT surgeons, training for singing teachers involved with Voice Clinics and a discussion of ongoing research & audit papers on the aspect of voice or voice care in the UK.

BAPAM and the BVA are actively exploring opportunities to collaborate on future projects. Suggestions are welcome!

Voice Clinics Forum 2015

Thursday, September 10th, 2015

The British Voice Association‘s (BVA) forthcoming Voice Clinics Forum convenes on Friday, 23rd October at The Governor’s Hall, St Thomas’s Hospital, London.

Topics in planning include:

For those in training:
Preparing to run a voice clinic: current training trends in Laryngology for ENT surgeons
Preparing to be the Voice Clinic Speech and Language Therapist – what education and training do we need?
Developing a programme for singing teachers to work in the Voice Clinic

For current voice clinic staff:
Ensuring voice clinic survival in the modern NHS
The role of voice clinics in the NHS – a GP/commissioners view
Round table panel discussion
Voice analysis software reviewed: application in voice clinic and daily practice
Technology in the voice clinic: what is really useful?

Clinical  session: “One easy, one not so easy!”: a multidisciplinary case discussion panel

Please note: these topics may be subject to change

Adobe Acrobat - icon View provisional programme

Adobe Acrobat - icon Download application/booking form

NB: This course has been awarded 5 CPD points

BVA Rock and Pop Study Day

Friday, August 21st, 2015

The British Voice Association Rock and Pop Study Day takes place in London on Sunday 13th September. Training topics include alternative vocal onsets, technique through interpretation, the truth about nodules, ear protection and monitoring, rock and pop in a choral setting and using live performance technology. Participants will also be in for some fantastic performances and exclusive discounts from the exhibitors.

10:00 – 17:00

The George IV, Chiswick, London

For more details and to book your place take a look here: www.bvarockandpop.eventbrite.co.uk.

Registration will close on 06/09/15.